Chronological list of all tracks recorded with the presence of Alton and/or Rabon, session by session
424 TITLES
Including 8 unissued
and 7 different takes
Fiddlin' Arthur SMITH
Uncle Dave MACON
Merle TRAVIS
Grandpa JONES
Wayne RANEY
Red FOLEY
1931 1933 1935 1936 1937 1938 1939 1940 1941 1944 1945 1946 1947 1949 1950 1951 1952 1959Rabon is usually playing lead guitar while Alton is playing rhythm. However, sometimes it is the other way round,
and both can also combine lead and rhythm in the same song. Alton plays a standard acoustic guitar (different Martin models)
and Rabon a 4-string tenor acoustic guitar (different Martin models too). On the majority of the duet songs, Alton is singing the lead
part and Rabon the vocal harmony. During the Bluebird period, Rabon is the lead singer on 2 titles (“I’m Going Away” and
“Promise Me You’ll Always Be Faithfull”) with Alton doing the vocal harmony. During the King period, Rabon sometimes is the
lead singer but only on the verses because, during the choruses, he is always singing the vocal harmony while Alton is singing lead.
Jean Ruhe is likely an early pen name for Alton (only seen on the first pressing of King 503). Jim Scott and Thomas Neeley (or Jimmie
Scott and Tom Neely) are pen names for Alton (Thelma Neely is the maiden name of his wife). Bob Nobar (Rabon anagram) and Norman King
are pen names for Rabon (Nola King is the maiden name of his wife). Matthew Strange is a pen name for Alton, Rabon and Wayne Raney as
well. Loys Southerland (maiden name of Raney’s wife) is a pen name for Wayne Raney. Lonesome Willie Evans is an artist name for Wayne
Raney (unrelated to the Delmore Brothers, Willie Evans is a pen name for Raney). Hank Dalton is probably a pen name for Alton and an
artist name for some other artists including Lonnie Glosson and Ray Smith.
Unfortunately, one does not know all the details regarding the accuracy of the dates, locations and musicians of the King period.
And anything and everything was written. For instance, on the historic session which saw the first singing Hillbilly Boogie and the
first Brown’s Ferry Four recording, the date is for the historian Charles K. Wolfe: 1945 on “Truth Is Stranger Than Publicity” 1st issue,
circa March 1946 on “Everybody’s Grandpa” and January 1946 on “Truth Is Stranger Than Publicity” 2nd issue! Rich
Kienzle give March 24, 1946.
Any documented addition or correction will be welcome. Your name will be quoted.
FORMAT
YEAR
Recording date; Location
Schedule 1
ARTIST 2 "Legend on 78 rpm labels" 3
MUSICIANS (vocals, instruments) 4
MASTER NUMBER 5 with take number 1 | TITLE 6 (version number) 7 (Take) 8 (Composer) 9 | ORIGINAL RELEASE 10 with “A” or “B” side 11 | REISSUES 12 |
ABBREVIATIONS
Names
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Instruments
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Labels
SPs = 78 rpm or singles
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1931
Wednesday, October 28; Columbia Phonograph Corporation, Atlanta, Georgia 1
5:00 - 6:00 p.m.
DELMORE BROTHERS (Alton & Rabon)
William Alton DELMORE (lead vocal, guitar), Archie Rabon DELMORE (vocal harmony, tenor guitar)
W-151976 | GOT THE KANSAS CITY BLUES (1) (Alton Delmore) | Co-15724-D 2 | OHCS-153, CD JSP-7727-A |
W-151977 | ALABAMA LULLABY (1) (Alton Delmore) | Co-15724-D 2 | OHCS-153, CD JSP-7727-A |
1. According to Alton, two other songs was recorded this day: “The Girls Don’t Worry My Mind” and “Smoky Mountain Bill and His Song”. 2. Released December 31, 1931. No “A” or “B” side on this 78 rpm.
1933
Wednesday, December 6; RCA Victor Company, Chicago, Illinois
DELMORE BROTHERS (Alton & Rabon) “Singing with guitars”
William Alton DELMORE (lead vocal, guitar), Archie Rabon DELMORE (vocal harmony, tenor guitar)
BS 77218-2 | I AIN’T GOT NOWHERE TO TRAVEL (Alton Delmore-Rabon Delmore) | Bb-B-5467 A | OHCS-161, CD JSP-7727-A |
BS 77219-1 | RAMBLIN’ MINDED BLUES (Alton Delmore-Rabon Delmore) | Bb-B-5467 B | CD JSP-7765-A |
BS 77220-1 | SMOKY MOUNTAIN BILL AND HIS SONG (Carson Robison, adapt. Alton Delmore) | Bb-B-5589 B | OHCS-161, CD JSP-7727-A |
BS 77221-2 | GONNA LAY DOWN MY OLD GUITAR (Alton Delmore) | Bb-B-5299 B | Su-S-3380 B, El-2170 B, MW-M-4420 A, Cty-402, CD CCS-116, CD JSP-7727-A, CD OH-4160 |
BS 77222-1 | LONESOME YODEL BLUES (Alton Delmore) | Bb-B-5299 A | Su-S-3380 A, El-2170 A, MW-M-4420 B, OHCS-161, CD JSP-7727-A |
BS 77223-1 | I AIN’T GONNA STAY HERE LONG (Alton Delmore) | Bb-B-5653 B | CD JSP-7765-A |
BS 77224-1 | BROWN’S FERRY BLUES (1) (Alton Delmore) | Bb-B-5403 A 1 | MW-M-4750 A 1, LPM-6015, Cty-402, CD CCS-116, CD JSP-7727-A |
BS 77225-1 | I’M MISSISSIPPI BOUND (Alton Delmore) | Bb B-5653 A | OHCS-161, CD JSP-7727-A |
BS 77226-1 | I’M GOIN’ BACK TO ALABAMA (Alton Delmore) | Bb-B-5358 B | Su-S-3439 B, MW-M-4459 B, CD JSP-7765-A |
BS 77227-1 | I’M LEAVING YOU (1) (Alton Delmore) | Bb-B-5358 A | Su-S-3439 A, MW-M-4459 A, CD JSP-7765-A |
BS 77228-1 | I’VE GOT THE BIG RIVER BLUES (Alton Delmore) | Bb-B-5531 A | Cty-402, CD RCA-8417-2-R, CD CCS-116, CD JSP-7727-A |
BS 77229-1 2 | THE GIRLS DON’T WORRY MY MIND (Alton Delmore) | Bb-B-5589 A | OHCS-153, CD JSP-7727-A |
1. “B” side by the Allen Brothers. 2. Masters BS 77230 to BS 77251 by the Vagabonds, the Prairie Ramblers, Salty Holmes and Ruby Blevins (Patsy Montana).
Thursday, December 7; RCA Victor Company, Chicago, Illinois
DELMORE BROTHERS (Alton & Rabon) “Singing with guitars”
William Alton DELMORE (lead vocal, guitar), Archie Rabon DELMORE (vocal harmony, tenor guitar)
BS 77252-1 | BURY ME OUT ON THE PRAIRIE 1 (Traditional) | Bb-B-5338 B | Su-S-3419 B, MW-M-4060 A 2, MW-M-4458 B, MS-45008, OHCS-161, CD JSP-7727-A |
BS 77253-1 | THE FROZEN GIRL 3 (1) (Traditional, arr. Alton and Rabon Delmore) | Bb-B-5338 A | Su-S-3419 A, MW-M-4458 A, OHCS-153, CD CCS-116, CD JSP-7727-A |
BS 77254-2 | LONESOME JAILHOUSE BLUES (Rabon Delmore-Alton Delmore) | Bb-B-5741 A | OHCS-154, CD JSP-7727-A |
BS 77255-1 | BLUE RAILROAD TRAIN (Alton Delmore) | Bb B-5531-B | CAL-898, Cty-402, CD CCS-116, CD JSP-7727-A |
BS 77256-1 | BY THE BANKS OF THE RIO GRANDE (Rabon Delmore-Alton Delmore) | Bb-B-5741 B | CD JSP-7765-A |
1. Aka "I've Got No Use for the Women". 2. “B” side by Bud Billings. 3. Aka "Young Charlotte".
1935
Thursday, January 22; New Orleans, Louisiana
9:00 a.m. - 3:00 p.m.
DELMORE BROTHERS (Alton & Rabon) “Singing with guitars” or “Singing and yodeling with guitars”
William Alton DELMORE (lead vocal, or vocal harmony R; guitar), Archie Rabon DELMORE (vocal harmony, or lead vocal R; tenor guitar)
BVE 87660-2 | DON’T LET ME BE IN THE WAY (Alton Delmore) | Bb-B-6120 A | CD JSP-7765-A |
BVE 87661-2 | WHEN IT’S SUMMERTIME IN A SOUTHERN CLIME (Alton Delmore) | Bb-B-5957 A | OHCS-154, CD JSP-7727-A |
BVE 87662-1 | HEY! HEY! I’M MEMPHIS BOUND (Alton Delmore) | Bb-B-5857 A | MW-M-4553 A, NW-223, CD JSP-7765-A |
BVE 87663-2 | I GUESS I’VE GOT TO BE GOIN’ (Alton Delmore) | Bb-B-6002 A | CD JSP-7765-A |
BVE 87664-1 | BLOW YO’ WHISTLE, FREIGHT TRAIN (Rabon Delmore-Alton Delmore) | Bb-B-5925 A | CAL-898, OHCS-154, CD RCA-8417-2-R, CD CCS-116, CD JSP-7727-A |
BVE 87665-1 | DOWN SOUTH (Unidentified) | Bb-B-6034 A | MW-M-4751 B, OHCS-161, CD JSP-7727-A |
BVE 87666-1 | BROWN’S FERRY BLUES-Part 2 (Alton Delmore) | Bb-B-5893 A | OHCS-154, CD JSP-7727-A |
BVE 87667-1 | I GOT THE KANSAS CITY BLUES (2) (Alton Delmore) | Bb-B-6002 B | CD JSP-7784-A |
BVE 87668-2 | I KNOW I’LL BE HAPPY IN HEAVEN (Alton Delmore) | Bb-B-6120 B | CD JSP-7765-A |
BVE 87669-1 | KEEP THE CAMP FIRES BURNING (Delmore) | Bb-B-6019 A | MW-M-4752 A, CD JSP-7784-A |
BVE 87670-1 | ALABAMA LULLABY (2) (Alton Delmore) | Bb-B-6034 B | MW-M-4751 A, CD JSP-7784-A |
BVE 87671-1 | THE FUGITIVE’S LAMENT (Alton Delmore) | Bb-B-6019 B | MW-M-4752 B, Cty-402, CD CCS-116, CD JSP-7727-A |
BVE 87672-1 | I BELIEVE IT FOR MY MOTHER TOLD ME SO (Paul Dresser) | Bb-B-5857 B | MW-M-4552 A, OHCS-153, CD JSP-7765-A |
BVE 87673-1 | I’M GOING AWAY R (Alton Delmore) | Bb-B-5893 B | MW-M-4542 B, OHCS-154, CD JSP-7727-A |
BVE 87674-1 | I LONG TO SEE MY MOTHER (Alton Delmore) | Bb-B-5957 B | MW-M-4552 B, OHCS-160, CD JSP-7727-A, CD OH-4160 |
BVE 87675-1 | LORENA, THE SLAVE (Traditional) | Bb-B-5925 B | MW-M-4552 B, OHCS-160, CD JSP-7727-A |
4:00 - 6:00 p.m.
ARTHUR SMITH “Fiddlin’ with guitars”
Fiddlin’ Arthur SMITH (fiddle), William Alton DELMORE (guitar), Archie Rabon DELMORE (tenor guitar)
BVE 87676-2 | LOST TRAIN BLUES (Traditional, arr. Arthur Smith) | Bb-B-5858 A 1 | Cty-546 |
BVE 87677-1 | FIDDLERS' DREAM (Arthur Smith) | Bb-B-5843 A 1 | Cty-547 |
BVE 87678-1 | SPRING STREET WALTZ (Unidentified) | Bb-B-5858 B 1 | |
BVE 87679-1 | SMITH'S WALTZ (Arthur Smith) | Bb-B-5896 A 1 | CD JSP-7784-B |
BVE 87680-1 | BLACKBERRY BLOSSOM (Traditional) | Bb-B-5896 B 1 | Cty-547 |
BVE 87681-1 | MOCKING BIRD (Unidentified) | Bb-B-5843 B 1 | El-2434 A 2, CD JSP-7784-B |
BVE 87682-2 | DOIN’ THE GOOFUS (Gus Kahn) | Bb-B-5928 A 1 | MW-M-4906 A, CD JSP-7784-B |
BVE 87683-1 | RED APPLE RAG (Arthur Smith) | Bb-B-5928 B 1 | El-2434 B 3, MW-M-4906 B, Cty-547, CD CO-3526 |
1. Label only credits Arthur Smith. 2. Issued as “El Sinsonte” by Arturo Muniz. 3. Issued as “Manzana Roja” by Arturo Muniz.
In the evening
UNCLE DAVE MACON (The Dixie Drewdrop) “Singing with banjo and guitars”
Uncle Dave MACON (lead vocal, 5-string banjo), William Alton DELMORE (vocal chorus, or response 1 and vocal chorus A; guitar), Archie Rabon DELMORE (vocal chorus, tenor guitar)
BVE 87684-1 | OVER THE MOUNTAIN (William Scanlon) | Bb-B-5926 A 2 | Ve-101, OHCS-183, CD CCS-115 |
BVE 87685-? | WHEN THE HARVEST DAYS ARE OVER (Howard Graham-Harry von Tilzer) | Bb-B-5842 A 2 | MW-M-4819 A 2, OHCS-183 |
BVE 87686-1 | ONE MORE RIVER TO CROSS A (Thomas Westendorf -James Husey) | Bb-B-5842 B 2 | MW-M-4819 B 2, HLP-8006, OHCS-183, CD CCS-115 |
BVE 87687-? | JUST ONE WAY TO THE PEARLY GATES (Howe-James D. Vaughan) | Bb-B-5926 B 2 | Cty-521, CD CCS-115 |
1. "Response" used relatively to the term "call-and-response" employed in gospel tradition. 2. Label only credits Uncle Dave Macon.
1936
Monday, February 17; Charlotte, North Carolina
Probably in the morning
DELMORE BROTHERS (Alton & Rabon) “Singing with guitars” or “Singing and yodeling with guitars” or “Singing with violin and guitars”
William Alton DELMORE (lead vocal except R, or response 1 and lead vocal A; guitar), Archie Rabon DELMORE (vocal harmony, or lead vocal R, or
call 1 and vocal harmony A, or vocal harmony and yodel A+; tenor guitar), Fiddlin’ Arthur SMITH (fiddle f )
BS 99171-1 | THE NASHVILLE BLUES (Alton Delmore) | Bb-B-6312 B | MW-M-4753 B, Cty-402, CD RCA-8417-2-R, CD CCS-116, CD JSP-7727-B |
BS 99172-2 | THE LOVER’S WARNING (Alton Delmore) | Bb-B-6522 B | CD CCS-116, CD JSP-7727-B |
BS 99173-1 | I’M WORRIED NOW (Alton Delmore) | Bb-B-6349 B | MW-M-4754 B, OHCS-161, CD JSP-7727-B |
BS 99174-2 | TAKE AWAY THIS LONESOME DAY A (Alton Delmore) | Bb-B-6998 A | OHCS-154, CD JSP-7727-B |
BS 99175-1 | PROMISE ME YOU’LL ALWAYS BE FAITHFUL R (Delmore) | Bb-B-8637 B | OHCS-153, CD JSP-7727-B |
BS 99176-1 | DON’T YOU SEE THAT TRAIN (Alton Delmore) | Bb-B-6522 A | Cty-402, CD CCS-116, CD JSP-7727-B |
BS 99177-2 | IT’S TAKIN’ ME DOWN (Delmore) | Bb-B-6312 A | MW-M-4753 A, OHCS-161, CD JSP-7727-B |
BS 99178-1-2 | THAT YODELIN’ GAL, MISS JULIE A+ (Alton Delmore) | Bb-B-8687 A | OHCS-154, CD JSP-7727-B |
BS 99179-1-2 | I’M GONNA CHANGE MY WAY (Rabon Delmore-Alton Delmore) | Bb-B-6349 A | MW-M-4754 A, OHCS-160, CD JSP-7727-B, CD OH-4160 |
BS 99180-1 | GAMBLER’S YODEL (1) (Alton Delmore-Rabon Delmore) | Unissued | |
BS 99181-1 | HAPPY HICKEY-THE HOBO A+ (Alton Delmore) | Bb-B-6386 B | OHCS-154, CD JSP-7727-B |
BS 99182-1 | LONESOME YODEL BLUES N° 2 (Alton Delmore) | Bb-B-6386 A | OHCS-161, CD JSP-7727-B |
BS 99183-1 | PUT ME ON THE TRAIL TO CAROLINA f (Alton Delmore) | Bb-B-6401 A | OHCS-161, CD JSP-7727-B |
BS 99184-1 | CARRY ME BACK TO ALABAMA f (Alton Delmore) | Bb-B-6401 B | CD JSP-7765-A |
BS 99185-1-2 | MY SMOKEY MOUNTAIN GAL f (Delmore) | Bb-B-7778 B | MW-M-7849 B, OHCS-161, CD JSP-7727-B |
BS 99186-1 | TAKE ME BACK TO THE RANGE f (Delmore) | Bb-B-8687 B | OHCS-161, CD CCS-116, CD JSP-7727-B |
1. "Call" and "response" used relatively to the term "call-and-response" employed in gospel tradition.
2:30 - 3:30 and 6:00 - 6:25 p.m.
ARTHUR SMITH TRIO “Violin and guitars” or “Singing with violin and guitars”
Fiddlin’ Arthur SMITH (vocal S, or lead vocal S+; fiddle), William Alton DELMORE (vocal chorus D, guitar), Archie Rabon DELMORE (vocal chorus D, tenor guitar)
BS 99187-1 | CHEATHAM COUNTY BREAKDOWN (Arthur Smith) | Bb-B-6369 A | Cty-546, CD CO-3526 |
BS 99188-1 | DIXON COUNTY BLUES (Arthur Smith) | Bb-B-6369 B | CD CO-3526 |
BS 99189-1-2 | THERE’S MORE PRETTY GIRLS THAN ONE S+ D (Traditional, adapt. Alton Delmore-Arthur Smith) | Bb-B-6322 B | MW-M-4822 B, LPV-507, Cty-547, CD JSP-7784-B |
BS 99190-1 | SUGAR TREE STOMP (Arthur Smith) | Bb-B-6927 B | Cty-547 |
BS 99191-1-2 | CHITTLIN’ COOKIN’ TIME IN CHEATHAM COUNTY S 1 (Traditional, rewrit. Kirk McGhee-Arthur Smith) | Bb-B-6322 A | Vi-27495 B, MW-M-4822 A, LPV-507, Cty-547 |
BS 99192-1 2 | FIDDLER’S BLUES (Arthur Smith) | Bb-B-6442 B 3 | Cty-546, CD CO-3526 |
BS 99203-1 | LITTLE DARLING THEY HAVE TAKEN YOU FROM ME S (Unidentified) | Bb-B-6514 B | MW-M-4859 A, CD JSP-7784-B |
BS 99204-1 | BONAPARTE’S RETREAT (Traditional) | Bb-B-6387 B 3 4 | Cty-546, CD CO-3526, CD JSP-7784-B |
BS 99205-1 | TAKE ME BACK TO TENNESSEE S+ D 5 (Traditional, rewrit. Arthur Smith) | Bb-B-6514 A | MW-M-4859 B, Cty-546, CD CO-3526 |
1. "St. James Infirmary Blues" tune based on 18th century traditional English folk song "The Unfortunate Rake". 2. Masters between 99192 and 99203 by Monroe Brothers. 3. “A” side by the Dixie Ramblers. 4. Issued under the name of Smoky Mountain Fiddler Trio. 5. "Careless Love" tune.
1937
Tuesday, February 17; Charlotte Hotel, 237 West Trade Street, Charlotte, North Carolina
9:00 - 11:00
DELMORE BROTHERS (Alton & Rabon) “Singing with guitars” or “Singing and yodeling with guitars”
William Alton DELMORE (lead vocal, guitar), Archie Rabon DELMORE (vocal harmony, tenor guitar), Fiddlin’ Arthur SMITH (fiddle f )
BS 07087-1 | NO DRUNKARD CAN ENTER THERE (James D. Vaughan) | Bb-B-6915 A | MW-M-7150 A, Cty-508, OHCS-160, CD JSP-7727-B, CD OH-4160 |
BS 07088-1 | SOUTHERN MOON (Alton Delmore) | Bb-B-6841 A | MW-M-7151 B, OHCS-153, CD JSP-7727-B |
BS 07089-1 | FALSE HEARTED GIRL (Alton Delmore-Rabon Delmore) | Bb-B-6949 A | MW-M-7153 A, OHCS-154, CD JSP-7727-B |
BS 07090-1 | THE BUDDED ROSE f (Traditional) | Bb-B-7262 B | MW-M-7154 B, OHCS-153, CD JSP-7727-B |
BS 07091-1 | BLIND CHILD (Traditional, arr. Alton and Rabon Delmore) | Bb-B-6915 B | MW-M-7153 B, OHCS-160, CD JSP-7727-B, CD OH-4160 |
BS 07092-1 | ARE YOU MARCHING WITH THE SAVIOR? (Rabon Delmore) | Bb-B-7029 A | MW-M-7154 A, OHCS-160, CD JSP-7727-B, CD OH-4160 |
BS 07093-1 | I DON’T KNOW WHY I LOVE HER (Alton Delmore) | Bb-B-6841 B | MW-M-7151 A, CD JSP-7765-A |
BS 07094-1 | DON’T FORGET ME, DARLING (C.W. Vance-R.S. Crandall, arr. Alton Delmore) | Bb-B-7029 B | MW-M-7152 A, CD JSP-7765-A |
ARTHUR SMITH TRIO “Violin and guitars” or “Singing with violin and guitars” or “Violin and guitars with singing”
Fiddlin’ Arthur SMITH (lead vocal S, fiddle), William Alton DELMORE (vocal chorus D, guitar), Archie Rabon DELMORE (vocal chorus D, tenor guitar)
BS 07095-1 | STRAW BREAKDOWN (Traditional) | Bb-B-6844 A | Cty-546, CD CO-3526 |
BS 07096-1 | CHEATHAM COUNTY BREAKDOWN N° 2 (Arthur Smith) | Bb-B-7351 A | CD JSP-7784-B |
BS 07097-1 | LITTLE DARLING S D 1 (Traditional tune, unidentified rewrit.) | Bb-B-6994 B | MW-M-7157 B 2, CD CO-3526, CD JSP-7784-B |
BS 07098-1 | THE GIRL I LOVE DON’T PAY ME NO MIND S D (Arthur Smith) | Bb-B-6913 A | MW-M-7156 A 2, Cty-547 |
BS 07099-1 | THERE’S MORE PRETTY GIRLS THAN ONE-Part 2 S D (Traditional tune, rewrit. Alton Delmore-Arthur Smith) | Bb-B-6869 A | MW-M-7155 A 2, Cty-547 |
1. Mentioned on Montgomery Ward 78 rpm as “Kilby Jail”. Variant of the traditional "The Prisoner's Song". 2. Label only credits Delmore Brothers. 3. Masters BS 07100 to BS 07115 by the Southern Melody Boys and Walter Couch & Wilks Ramblers.
Probably in the afternoon
DELMORE BROTHERS (Alton & Rabon) “Singing with guitars”
William Alton DELMORE (lead vocal, guitar), Archie Rabon DELMORE (vocal harmony, tenor guitar)
BS 07116-1 | MEMORIES OF MY CAROLINA GIRL (Alton Delmore) | Bb-B-6949 B | MW-M-7152 B, CD JSP-7765-A |
BS 07117-1 | NO ONE (act. "No One to Welcome Me Home") (Joe Earls) | Bb-B-6998 B | MW-M-7150 B, OHCS-160, CD JSP-7727-B, CD OH-4160 |
ARTHUR SMITH TRIO “Violin and guitars” or “Singing with violin and guitars” or “Violin and guitars with singing”
Fiddlin’ Arthur SMITH (vocal S, or lead vocal S+; fiddle), William Alton DELMORE (vocal chorus D, guitar), Archie Rabon DELMORE (vocal chorus D, tenor guitar)
BS 07118-1 | DICKSON COUNTY BLUES N° 2 (Arthur Smith) | Bb-B-7351 B | Cty-546, CD CO-3526 |
BS 07119-1 | IT’S HARD TO PLEASE YOUR MIND S+ D (Alvin Pleasant Carter) | Bb-B-6994 A 1 | MW-M-7157 A 2, CD JSP-7784-B |
BS 07120-1 | LOVE LETTERS S 3 (J. Fred Coots-Nick Kenny-Charles Kenny) | Bb-B-6913 B | MW-M-7155 B 2, CD JSP-7784-B |
BS 07121-1 | SINGING THOSE HOUSE OF DAVID BLUES S (Elmer Schoebel-Billy Meyers-Irving Mills) | Bb-B-6927 A | MW-M-7156 B 2, Cty-547 |
BS 07122-1-2 | WALKING IN MY SLEEP S+ D (Arthur Smith) | Bb-B-7043 B | CD JSP-7784-B |
BS 07123-1 | NEVER ALONE S+ D (Unidentified) | Bb-B-6869 B | CD JSP-7784-B |
BS 07124-1 | PIG AT HOME IN THE PEN S (Arthur Smith) | Bb-B-7043 A | Cty 547 |
BS 07125-1 | FLORIDA BLUES (Arthur Smith) | Bb-B-6844 B | Cty 546 |
BS 07126-1 | SMITH’S BREAKDOWN (Arthur Smith) | Bb-B-7511 B |
1. Label mentions Arthur Smith Trio, violin and guitars (no mention of singing). 2. Label only credits Delmore Brothers. 3. Aka "Love Letters in the Sand".
Tuesday, August 3; Charlotte Hotel, 237 West Trade Street, Charlotte, North Carolina
4:20 - 6:30 p.m.
DELMORE BROTHERS (Alton & Rabon) “Singing with guitars” or “Singing with violin and guitars”
William Alton DELMORE (lead vocal, guitar), Archie Rabon DELMORE (vocal harmony, tenor guitar), Fiddlin’ Arthur SMITH (fiddle f )
BS 011885-1 | LEAD ME (Unidentified) | Bb-B-7337 B | MW-M-7318 A, OHCS-160, CD JSP-7727-C, CD OH-4160 |
BS 011886-1 | NEED THE PRAYERS (1) (James D. Vaughan) | Bb-B-7672 B | MW-M-7318 B, OHCS-160, CD JSP-7727-C, CD OH-4160 |
BS 011887-1 | I’VE GOT THE RAILROAD BLUES (Delmore) | Bb-B-7300 B | MW-M-7319 A, OHCS-153, CD JSP-7727-C |
BS 011888-1 | THE WEARY LONESOME BLUES (Alton Delmore) | Bb-B-7300 A | MW-M-7319 B, OHCS-153, CD CCS-116, CD JSP-7727-C |
BS 011889-1 | HEAVENLY LIGHT IS SHINING ON ME (Traditional, arr. Alton and Rabon Delmore) | Bb-B-7337 A | MW-M-7317 A, OHCS-153, CD JSP-7727-C, CD OH-4160 |
BS 011890-1 | WONDERFUL THERE (James Rowe-Homer F. Morris) | Bb-B-7672 A | MW-M-7317 B, OHCS-153, CD JSP-7727-C, CD JSP-7765-A, CD OH-4160 |
BS 011891-1 | THE FARMER’S GIRL (Delmore) | Bb-B-7383 A | MW-M-7320 A, CD JSP-7765-A |
BS 011892-1 | SINGING MY TROUBLES AWAY (Delmore) | Bb-B-7129 B | MW-M-7320 B, OHCS-154, CD JSP-7727-C |
BS 011893-1 | THEY SAY IT IS SINFUL TO FLIRT 1 (Traditional, arr. Alton and Rabon Delmore) | Bb-B-7192 B | MW-M-7321 A, LPV-548, OHCS-161, CD JSP-7727-C |
BS 011894-1 | TILL THE ROSES BLOOM AGAIN 2 (Arthur W. French-George W. Persley, arr. Alton and Rabon Delmore) | Bb-B-7262 A | MW-M-7321 B, Cty-402, OHCS-153, CD CCS-116, CD JSP-7727-C |
BS 011895-1 | WHEN WE HELD OUR HYMN BOOKS TOGETHER (Delmore) | Bb-B-7192 A | MW-M-7322 B, OHCS-160, CD JSP-7727-C, CD OH-4160 |
BS 011896-1 | HI-DE-HO BABY MINE f (Alton Delmore) | Bb-B-7129 A 3 | OHCS-153, CD JSP-7727-C |
BS 011897-1 | LOOK UP, LOOK DOWN THE LONESOME ROAD f 4 (Gene Austin-Nathaniel Shilkret) | Bb-B-7383 B 3 | MW-M-7322 A, CD JSP-7765-A |
1. Aka "Willie Down by the Pond. 2. Aka “When the Roses Come Again”. 3. Label only credits Delmore Brothers. 4. Aka "Lonesome Road".
ARTHUR SMITH TRIO“Violin and guitars” or “Singing with violin and guitars” or “Singing with banjo and guitars”
Fiddlin’ Arthur SMITH (vocal S, or lead vocal S+; fiddle, banjo b), William Alton DELMORE (vocal chorus D, guitar), Archie Rabon DELMORE (vocal chorus D, tenor guitar)
BS 011898-1 | BEAUTIFUL BROWN EYES S+ D (Alton Delmore-Arthur Smith) | Bb-B-7221 B | MW-M-7343 A, CD JSP-7784-B |
BS 011899-1-2 | BEAUTIFUL MEMORIES S+ D (Unidentified) | Bb-B-7203 B | MW-M-7343 B, CD JSP-7784-B |
BS 011900-1 | BEAUTIFUL MABEL CLARE S+ D (Rosetta Lunt-A.J. Higgins) | Bb-B-7203 A | MW-M-7344 A, CD JSP-7784-B |
BS 011901-1 | NELLIE’S BLUE EYES S+ D (William J. Scanlan) | Bb-B-7325 A | MW-M-7344 B, CD JSP-7784-B |
BS 011902-1 | LONESOME FOR YOU S+ D 1 (James Kendis-James Brockman-Nat Vincent) | Bb-B-7146 A | MW-M-7345 A, CD JSP-7784-B |
BS 011903-1 | SWEET HEAVEN S+ D (Traditional) | Bb-B-7146 B | MW-M-7345 B, CD JSP-7784-B |
BS 011904-1 | ACROSS THE BLUE RIDGE MOUNTAINS (1) S+ D 2 (Traditional, arr. Alton and Rabon Delmore) | Bb-B-7221 A | MW-M-7346 A, CD JSP-7784-B |
BS 011905-1 | LONESOME RAMBLERS' BLUES S+ D (Unidentified) | MW-M-7346 B3 | CD JSP-7784-B |
BS 011906-1 | INDIAN CREEK (Traditional, arr. Arthur Smith) | Bb-B-7511 A | MW-M-7602 A, Cty-547, CD CO-3526 |
BS 011907-1 | FREIGHT TRAIN MOAN (Arthur Smith) | Bb-B-8158 A | MW-M-7602 B, Cty-547 |
BS 011908-1 | GOIN’ TO TOWN (Traditional) | Bb-B-8101 A 4 | MW-M-7603 A, Cty-546, CD CO-3526 |
BS 011909-1 | I’M BOUND TO RIDE S b 5 (Oddie McWinders) | Bb-B-7325 B | LPV-507, Cty-546, CD CO-3526 |
1. Aka "I Know What It Means to Be Lonesome". 2. Aka "My Home's Across the Blue Ridge Mountains". 3. No Bluebird Issue. 4. "B" side Arthur without the Delmores; 5. No fiddle on this track
UNCLE DAVE MACON
“Uncle Dave” MACON (lead vocal, 5-string banjo), William Alton DELMORE (vocal chorus D, probably guitar), Archie Rabon DELMORE (vocal chorus D, possibly tenor guitar), unidentified (vocal harmony, or vocal chorus V, possibly guitar)
BS 011910-? | ALL IN DOWN AND OUT BLUES (Cecil Mack-Chris Smith-Billy B. Johnson-Elmer Bowman) | Bb-B-7350 ? 1 2 | MW-M-7347 A 1 2, RBF-51, CD CCS-115 |
BS 011911-1 3 | HONEST CONFESSION IS GOOD FOR THE SOUL (Dave Macon) | Bb-B-7174 A 2 | MW-M-7348 A 1 2, OHCS-183, CD CCS-115 |
BS 011914-1 | FROM JERUSALEM TO JERICHO D V (Reverend W. M. Robertson) | Bb-B-7174 B 2 | MW-M-7349 A 2 4, Ve-101, OHCS-183, CD CCS-115 |
1. Reverse side Dave Macon without the Delmores. 2. Label only credits “Uncle Dave” Macon. 3. Masters 011912 and 011913 by “Uncle Dave” Macon without the Delmores. 4. “B” side by Southern Melody Boys.
1938
Tuesday, January 25; Charlotte Hotel, 237 West Trade Street, Charlotte, North Carolina
8:30 - 10:20 a.m.
DELMORE BROTHERS (Alton & Rabon) “Singing with guitars”
William Alton DELMORE (lead vocal, guitar), Archie Rabon DELMORE (vocal harmony, tenor guitar)
BS 018713-1 | AIN’T IT HARD TO LOVE (Alton and Rabon Delmore) | Bb-B-7560 A | MW-M-7853 A, CD JSP-7765-A |
BS 018714-1 | BURY ME UNDER THE WEEPING WILLOW 1 (Traditional) | Bb-B-7741 B | MW-M-7853 B, CD JSP-7765-A |
BS 018715-1 | BROTHER, TAKE WARNING (Delmore) | Bb-B-7741 A | MW-M-7475 B, CD JSP-7765-A |
BS 018716-1-2 | ALCATRAZ ISLAND BLUES (Alton Delmore) | Bb-B-7778 A | MW-M-7849 A, CD JSP-7765-A |
BS 018717-1-2 | GOODBYE BOOZE (Charlie Poole) | Bb-B-7436 A | OHCS-154, CD JSP-7727-C |
BS 018718-1 2 | THERE’S A LONESOME ROAD (Delmore) | Bb-B-8052 B | MW-M-7475 A, CD JSP-7765-A |
1. Aka "Weeping Willow Tree" or "Bury Me Beneath the Willow". 2. Masters BS 018719 to BS 018744 by the Heavenly Gospel Singers, the Pine State Playboys and Wiley, Zeke & Homer.
Wednesday, January 26; Charlotte Hotel, 237 West Trade Street, Charlotte, North Carolina
4:45 - 6:15 p.m.
ARTHUR SMITH TRIO “Violin and guitars” or “Singing with violin and guitars”
Fiddlin’ Arthur SMITH (vocal S, or lead vocal S+; fiddle), William Alton DELMORE (vocal chorus D, guitar), Archie Rabon DELMORE (vocal chorus D, tenor guitar)
BS 018745-1 | THE ANSWER TO “MORE PRETTY GIRLS THAN ONE” S+ D (Traditional tune, rewr. Alton Delmore-Arthur Smith) | Bb-B-7437 A | MW-M-7476 A 1 |
BS 018746-1 | HENPECKED HUSBAND BLUES S+ D 2 (Alton Delmore-poss. Arthur Smith) | Bb-B-7498 A | MW-M-7476 B 1, CD JSP-7784-B |
BS 018747-1 | STOOD ON THE BRIDGE AT MIDNIGHT S (Traditional) | Bb-B-7437 B | MW-M-7477 A 1 |
BS 018748-1 | MORE LIKE HIS DAD EVERY DAY S (Unidentified) | Bb-B-7498 B | MW-M-7477-B 1, CD JSP-7784-B |
BS 018749-1 | LOST LOVE S+ D (Alton Delmore-Arthur Smith) | Bb-B-7651 B | MW-M-7478 A 1, CD JSP-7784-B |
BS 018750-1 | A LONESOME DAY TODAY S (Traditional) | Bb-B-7547 B | MW-M-7478 B 1, Cty-546 |
BS 018751-1 | HER LITTLE BROWN HAND S (Unidentified) | Bb-B-7547 A | MW-M-7479 A 1, CD JSP-7784-B |
BS 018752-1 | ADIEU FALSE HEART S (Traditional, arr. Alton Delmore-Arthur Smith) | Bb-B-7651 A | MW-M-7479 B 1, Cty-546, CD CO-3526 |
BS 018753-1 | THE PARIS WALTZ (Traditional) | Bb-B-8158 B | MW-M-7603 B, CD CO-3526, CD JSP-7784-B |
1. Label only credits Delmore Brothers. 2. "Brown's Ferry Blues" tune.
6:15 - 6:45 p.m.
DELMORE BROTHERS (Alton & Rabon) “Singing with guitars”
William Alton DELMORE (lead vocal, guitar), Archie Rabon DELMORE (vocal harmony, tenor guitar)
BS 018754-1 | ‘CAUSE I DON’T MEAN TO CRY WHEN YOU’RE GONE (Rabon Delmore) | Bb-B-7496 B | MW-M-7474 A, CD JSP-7784-A |
BS 018755-1 | CARELESS LOVE (BRING MY BABY BACK) (Traditional) | Bb-B-7436 B | MW-M-7473 B, OHCS-161, CD JSP-7727-C |
BS 018756-1 | IN THAT VINE COVERED CHAPEL IN THE VALLEY (Fred Rose-Fred Fisher) | Bb-B-7496 A | MW-M-7473 A, OHCS-153, CD JSP-7727-C, CD OH-4160 |
BS 018757-1 | BIG BALL IN TEXAS (Bob Miller) | Bb-B-7560 B | MW-M-7474 B |
Thursday, September 29; Andrew Jackson Hotel, Rock Hill, South Carolina
7:10 - 9:30 p.m.
DELMORE BROTHERS (Alton & Rabon) “Singing with guitars” or “Singing with guitars and bass” or “Singing with guitars, fiddle and bass” or “Singing with violin, guitars and bass”
William Alton DELMORE (lead vocal, guitar), Archie Rabon DELMORE (vocal harmony or vocal chorus C; tenor guitar), Smiley O’BRIEN (vocal chorus C, possibly guitar g), Chuck MAUDLIN (fiddle f ), Joe ZINKAN (string bass)
BS 027642-1 | LEAVIN’ ON THAT TRAIN (Alton Delmore) | Bb-B-7913 A | MW-M-7677 A, CD JSP-7765-A |
BS 027643-1 | THE CANNON BALL f (Traditional, arr. A. P. Carter) | Bb-B-7991 A | MW-M-7677 B, LPV-532, CD JSP-7727-C |
BS 027644-1-2 | MY HOME’S ACROSS THE BLUE RIDGE MOUNTAINS (2) (Traditional) | Bb-B-8247 A | MW-M-7678 A, CD JSP-7765-A |
BS 027645-1-2 | FIFTEEN MILES FROM BIRMINGHAM f (Alton Delmore) | Bb-B-8031 A | MW-M-7678 B, CD JSP-7727-C |
BS 027646-1 | I’M ALABAMA BOUND f (Traditional) | Bb-B-8264 A | MW-M-7695 A, CD JSP-7765-B |
BS 027647-1-2 | NOTHING BUT THE BLUES f (Alton Delmore) | Bb-B-8247 B | MW-M-7695 B, CD JSP-7765-B |
BS 027648-1 | SOME OF THESE DAYS YOU’RE GONNA BE SAD (Alton Delmore) | Bb-B-7957 A | MW-M-7696 A, CD JSP-7765-B |
BS 027649-1 1 | WHERE IS MY SAILOR BOY 2 (Traditional) | Bb-B-7957 B | MW-M-7679 A, OHCS-154, CD JSP-7727-C, CD OH-4160 |
BS 027671-1-2 | HEART OF SORROW (Delmore) | Bb-B-8637 A | MW-M-7696 B, CD JSP-7765-B |
BS 027672-? | QUIT TREATIN’ ME MEAN f (Rabon Delmore) | Bb-B-8031 B | MW-M-7697 A, CD JSP-7765-B |
BS 027673-1-2 | JUST THE SAME SWEET THING TO ME (Alton Delmore) | Bb-B-8290 B | MW-M-7698 A, OHCS-161, CD JSP-7727-C, CD JSP-7765-B |
BS 027674-? | THE ONLY STAR (Gene Autry) | Bb-B-7991 B | MW-M-7679 B, CD JSP-7765-B |
BS 027675-? | A BETTER RANGE IS HOME C g (Alton Delmore) | Bb-B-8290 A | MW-M-7698 B, OHCS-160, CD JSP-7727-C, CD OH-4160 |
BS 027676-? | GIT ALONG f 3 (Traditional) | Bb-B-7913 B | MW-M-7697 B, CD JSP-7784-A |
1. Master numbers between BS 027649 and BS 027671 by Walter Hurdt and also Arthur Smith & the Carolina Crackerjacks. Smith, who was going to become the creator of the instrumental hillbilly boogie (the former attempts were not typically hillbilly boogie) and the Delmores, who were going to be the creators of the singing hillbilly boogie, are crossed themselves this September 29, 1938! 2. Aka "What Does the Deep Sea Say?". 3. Aka "Cindy".
1939
Sunday, February 5; Andrew Jackson Hotel, Rock Hill, South Carolina
4:30 - 6:30 p.m.
DELMORE BROTHERS (Alton & Rabon) “Singing with guitars” or “Singin’ with guitars, violin and bass” or “Assisted by Smiley O’Brien, Singing with guitars, violin and bass” (BS 032678)
William Alton DELMORE (lead vocal, or vocal chorus D; guitar), Archie Rabon DELMORE (vocal harmony, or vocal chorus D; tenor guitar), Smiley O’BRIEN (lead vocal O, possibly guitar),
Chuck MAUDLIN (fiddle), Joe ZINKAN (string bass)
BS 032669-1 | DON’T LET MY RAMBLIN’ BOTHER YOUR MIND (Alton Delmore) | Bb-B-8177 A | MW-M-7852 A, CD CCS-116, CD JSP-7727-C |
BS 032670-1-2 | BABY YOU’RE THROWING ME DOWN (Rabon Delmore) | Bb-B-8177 B | MW-M-7852 B, OHCS-153, CD JSP-7765-B |
BS 032671-1 | GONNA LAY DOWN MY OLD GUITAR-Part 2 (Alton Delmore) | Bb-B-8215 A | CD JSP-7765-B |
BS 032672-1 | BROWN’S FERRY BLUES-Part 3 (Alton Delmore) | Bb-B-8230 B | CD JSP-7765-B |
BS 032673-1 | I LOVED YOU BETTER THAN YOU KNEW (Johnnie Carrol) | Bb-B-8215 B | MW-M-7851 B, OT-126, CD JSP-7765-B |
BS 032674-1 | GOIN’ BACK TO GEORGIA (Alton Delmore) | Bb-B-8264 B | MW-M-7850 A, CD JSP-7765-B |
BS 032675-1 | HOME ON THE RIVER (Unidentified) | Bb-B-8052 A | MW-M-7851 A, CD JSP-7765-B |
BS 032676-1 | GAMBLER’S YODEL (2) (Alton Delmore-Rabon Delmore) | Bb-B-8230 A | CD JSP-7765-B |
BS 032677-1 | WABASH BLUES (Fred Meinken-Dave Ringle) | Bb-B-8204 A | MW-M-7850 B, OHCS-154, CD JSP-7727-C |
BS 032678-1 | GO EASY MABEL O D (Alton Delmore-Rabon Delmore) | Bb-B-8204 B | OHCS-154, CD JSP-7727-C |
1940
Monday, February 6; Atlanta, Georgia
DELMORE BROTHERS (Alton & Rabon) “Singing with guitars”
William Alton DELMORE (lead vocal, guitar), Archie Rabon DELMORE (vocal harmony, tenor guitar), unidentified (hawaiian guitar s)
BS 047551-1 | THE WABASH CANNON-BALL BLUES s (Alton Delmore) | Bb-B-8404 A | MW-M-8685 A, OT-126, CD JSP-7765-B |
BS 047552-1 | OVER THE HILLS s (Alton Delmore) | Bb-B-8451 A | MW-M-8686 A, OHCS-153, CD JSP-7727-D, CD OH-4160 |
BS 047553-1 | THE DYING TRUCKDRIVER s (Alton Delmore-Rabon Delmore) | Bb-B-8451 B | MW-M-8686 B, OHCS-160, CD JSP-7727-D, CD OH-4160 |
BS 047554-1 | SCATTERBRAIN MAMA s (Rabon Delmore) | Bb-B-8404 B | MW-M-8685 B, OHCS-161, CD JSP-7727-D |
BS 047555-1 | HAPPY ON THE MISSISSIPPI SHORE (1) (Alton Delmore) | Bb-B-8613 B | MW-M-8687 B, Cty-402, CD CCS-116, CD JSP-7727-D |
BS 047556-1 | THAT’S HOW I FEEL, SO GOODBYE (Rabon Delmore) | Bb-B-8557 A | MW-M-8688 A, CD JSP-7765-B |
BS 047557-1 | RAININ’ ON THE MOUNTAIN (Alton Delmore) | Bb-B-8557 B | MW-M-8688 B, OHCS-161, CD CCS-116, CD JSP-7727-D |
BS 047558-1 | SEE THAT COON IN A HICKORY TREE (Delmore) | Bb-B-8418 A | MW-M-8687 A, OHCS-154, CD CCS-116, CD JSP-7727-D |
BS 047559-1 | THE STORMS ARE ON THE OCEAN (Traditional, arr. Alvin Pleasant Carter) | Bb-B-8613 A | MW-M-8689 A, OHCS-161, CD JSP-7727-D, CD JSP-7765-B |
BS 047560-1 | BACK TO BIRMINGHAM (Rabon Delmore) | Bb-B-8418 B | MW-M-8689 B, Cty-402, CD CCS-116, CD JSP-7727-D |
BS 047561-1 | THE EASTERN GATE (Arr. Isaiah G. Martin) | Bb-B-8488 B | MW-M-8690 B, OHCS-160, CD JSP-7727-D, CD OH-4160 |
BS 047562-1 | GOD PUT A RAINBOW IN THE CLOUDS (Reverend Andrew Jenkins-Irene Spain) | Bb-B-8488 A | MW-M-8690 A, OHCS-160, CD JSP-7727-D, CD OH-4160 |
Wednesday, September 11; Decca Records, New York, New York
DELMORE BROTHERS (Alton & Rabon) “Singing with guitars”
William Alton DELMORE (lead vocal, guitar), Archie Rabon DELMORE (vocal harmony; tenor guitar)
68069-A | THERE’S TROUBLE ON MY MIND TODAY (Alton Delmore) | De-5878 B | VIM-4017, OTC-6002, CD JSP-7727-D |
68070-AA | SILVER DOLLAR (Georgia South) | De-5878 A | VIM-4017, OTC-6002, CD JSP-7727-D |
68071-A | OLD MOUNTAIN DEW 1 (Bascom Lamar Lunsford) | De-5890 A | VIM-4017, OTC-6002, CD JSP-7727-D |
68072-A | IN THE BLUE HILLS OF VIRGINIA (Bob Miller-Louis Klein) | De-5890 B | VIM-4017, OTC-6002, CD JSP-7727-D |
68073-A | MAKE ROOM IN THE LIFEBOAT FOR ME (Georgia South) | De-5897 A | VIM-4017, OTC-6002, CD JSP-7727-D, CD OH-4160 |
68074-A | WHEN IT’S TIME FOR THE WHIP-POOR-WILL TO SING (Alton Delmore) | De-5925 A | OHCS-153, CD JSP-7727-D |
68075-A | WILL YOU BE LONESOME TOO? (Alton Delmore) | De-5925 B | VIM-4017, OTC-6002, CD JSP-7727-D |
68076-A | BROKEN HEARTED LOVER (Alton Delmore) | De-5907 B | Cty-402, TLCW-05, CD JSP-7727-D |
68077-A | SHE WON’T BE MY LITTLE DARLING (Rabon Delmore-Alton Delmore) | De-5907 A | VIM-4017, CD JSP-7765-B |
68078-A | GATHERING FLOWERS FROM THE HILLSIDE (Traditional, arr. Alvin Pleasant Carter) | De-5897-B | VIM-4017, OTC-6002, CD JSP-7765-B |
1. Aka "Mountain Dew".
1941
Tuesday, July 16; Decca Records, New York, New York
DELMORE BROTHERS (Alton & Rabon) “Singing with guitars” or “Singing with guitars, banjo and bass” or “Singing with guitars and bass” or “Singing with instrumental accompaniment”
William Alton DELMORE (lead vocal, guitar), Archie Rabon DELMORE (vocal harmony, tenor guitar), unidentified (banjo b), poss. Zeke PHILLIPS (string bass)
69508-A | I NOW HAVE A BUGLE TO PLAY (Alton Delmore) | De-6000 A | VIM-4017, CD JSP-7727-D |
69509-A | LAST NIGHT I WAS YOUR ONLY DARLING b (Alton Delmore) | De-6000 B | VIM-4017, OTC-6002, CD JSP-7765-B |
69510-A | BABY GIRL (Al Clauser) | De-6051 A | VIM-4017, OTC-6002, CD JSP-7727-D |
69511-A | NEW FALSE HEARTED GIRL (Alton Delmore) | De-6080 B | CD JSP-7765-B |
69512-A | I WONDER WHERE MY DARLING IS TONIGHT (Alton Delmore) | De-6051 B | VIM-4017, OTC-6002, CD JSP-7765-B, CD JSP-7784-A |
69513-A | PRECIOUS JEWEL (Roy Acuff) | De-5970 A | De-46049, VIM-4017, OTC-6002, CD JSP-7765-B |
69514-A | GOSPEL CANNON BALL 1 (Traditional) | De-5970 B | De-46049, VIM-4017, OTC-6002, CD JSP-7727-D, CD OH-4160 |
69515-A | I’LL NEVER FALL IN LOVE AGAIN b (Rabon Delmore) | De-6080 A | CD JSP-7765-B |
69516-A | HONEY I’M RAMBLIN’ AWAY (Alton Delmore) | De-46043 B | Cty-402, CD JSP-7727-D |
69517-A | I’M LEAVIN’ YOU (2) (Alton Delmore) | De-46043 A | CD JSP-7765-B |
69518-A | YOU AIN’T GOT NOTHIN’ I CAN’T DO WITHOUT (Delmore) | Unissued |
1. Wade Mainer adaptation of the traditional "Wabash Cannonball".
On August 1, 1942, the American Federation of Musicians, at the instigation of union president James Petrillo, started a strike against
the major American recording companies. It ended in the Autumn of 1943 for Decca and Capitol, and until November 1944 for Victor and Columbia
1944
Circa January; Dayton, Ohio
DELMORE BROTHERS “Duet with Singing”
William Alton DELMORE (lead vocal, guitar), Archie Rabon DELMORE (vocal harmony, tenor guitar)
K-1772 | PRISONER’S FAREWELL (1) (Jean Ruhe) 1 | Ki-503 A 2 |
K-1774 3 | SWEET SWEET THING (1) (Jean Ruhe) 1 | Ki-503 B 2 |
1. Jean Ruhe is a pseudonym for Alton, cause he was under contract to Sylvester Cross, owner of the American Music publishing company. 2. “A” side is “Prisoner’s Farewell”. 3. Master K-1773 unidentified.
Late this year; Dayton, Ohio
DELMORE BROTHERS “Duet with Guitars”
William Alton DELMORE (lead vocal, guitar), Archie Rabon DELMORE (vocal harmony, tenor guitar)
K-1772 1 | PRISONER’S FAREWELL (2) (Jim Scott) 2 | Ki-503 B 3 | CD KSCD-3831 |
K-1774 1 | SWEET SWEET THING (2) (Jim Scott) 2 | Ki-503 A 3 |
1. Same master number as first issue. 2. The name of the composer is changing. In the same way that for Jean Ruhe, Jim Scott is a pseudonym for Alton. 3. Second issue with different versions. “A” side is “Sweet Sweet Thing”, opposite of the first issue.
1945
Early this year; King Studio, 1540 Brewster Avenue, Cincinnati, Ohio
DELMORE BROTHERS “Duet with Guitars”
William Alton DELMORE (lead vocal, guitar), Archie Rabon DELMORE (vocal harmony, tenor guitar)
K-1772 1 | PRISONER’S FAREWELL (3) (Jim Scott) | Ki-503 B 2 | CCS-110, CD CCS-110, CD JSP-7765-C |
K-1774 1 | SWEET SWEET THING (3) (Jim Scott) | Ki-503 A 2 | Ki LP-589, HV-1124, Ki-45-5866, Ki LP-983, PMR-289, CD JSP-7765-C |
1. Same master number as first and second issue. 2. Third issue with different versions.
Circa August; King Studio, 1540 Brewster Avenue, Cincinnati, Ohio
DELMORE BROTHERS “Duet with Guitars” or “Vocal with Guitars” or “ Singing with Guitars”
William Alton DELMORE (lead vocal, or vocal on 1st and 3rd verses D; guitar), Archie Rabon DELMORE (vocal harmony, or vocal on 2nd verse D; tenor guitar), unidentified (string bass)
K-1928 | THE LAST OLD SHOVEL (Jim Scott) | Ki-509 A | CCS-110, CD CCS-110, CD JSP-7765-C |
K-1929 | WHY DID YOU LEAVE ME, DEAR (Jim Scott) | Ki-514 B | CD CHD-1074, CD JSP-7765-C |
K-1930 | I’VE FOUND AN ANGEL (Jim Scott) | Ki-525 B | CD JSP-7765-C |
K-1931 | LONELY MOON (Alton Delmore) | Ki-518 B | CD JSP-7765-C |
K-1932 | MIDNITE SPECIAL (Traditional, arr. Jim Scott) | Ki-514 A | Ki-LP-785, Ki-LP-869, Ki-LP-983, KS-1090, SLP-962, CD KSCD-3831, CD CHD-1074, CD JSP-7765-C |
K-1933 | BE MY LITTLE PET (Alton Delmore) | Ki-518 A | CD JSP-7765-C |
K-1934 | REMEMBER I FEEL LONESOME TOO (Jim Scott) | Ki-509 B | CCS-110, CD CCS-110, CD JSP-7765-C |
K-1935 | FAST EXPRESS D (Jim Scott) | Ki-525 A | CD CHD-1074, CD JSP-7765-C |
1946
Circa January; King Studio, 1540 Brewster Avenue, Cincinnati, Ohio 1
DELMORE BROTHERS “Vocal with Guitars” or “Vocal with Instrumental Trio” (K-1972) or “Vocal with String Band” or “Vocal Duet with Guitars”
William Alton DELMORE (lead vocal except R, guitar), Archie Rabon DELMORE (vocal harmony, or vocal on verses R; tenor guitar), probably Louis INNIS (rhythm guitar), Roy STARKEY (string bass)
K-1971 2 | I’M SORRY I CAUSED YOU TO CRY (Alton Delmore) | Ki-527 B | Ki-LP-785, Ki-LP-983, CD JSP-7765-C |
K-1972 | HILLBILLY BOOGIE R (Rabon Delmore) | Ki-527 A | Ki-EP-222, Ki-LP-589, HV-1124, Ki-LP-983, KS-1090, PMR-289, SLP-962, BFX-15167, CD CH-455, CD JSP-7765-C |
K-1973 | I’M LONESOME WITHOUT YOU (Alton Delmore) 3 | Ki-533 B | CCS-110, CD CCS-110, CD JSP-7765-C |
K-1974 | (WHEN I’M GONE) DON’T TALK ABOUT ME (Alton Delmore-Rabon Delmore) | CD CHD-1074 4 | |
K-1975 | I WON’T BE WORRIED LONG 5 (Alton Delmore) | Ki-1053 B | Ki-LP-887, CCS-110, CD CCS-110, CD CHD-1074 |
K-1976 | DON’T FORGET ME (Alton Delmore-Rabon Delmore) | Ki-548 B | CD CCS-110, CD JSP-7765-C |
1. Usually mentioned: Radio Recorder, Hollywood, California. But acetates K-1971 to K-1982 read: Cincinnati, Ohio. 2. Masters K-1969 and K-1970 by Roy Starkey. 3. On LP County CCS-110, Charles K. Wolfe mentions Merle Travis doing the standard guitar fills. There is no guitar in the Merle's style! 4. No King issue. 5. Always on the County LP CCS-110 Charles K. Wolfe mentions a Bluebird first version. There's no Bluebird version!
BROWN'S FERRY FOUR “Quartet with Guitars”
William Alton DELMORE (baritone lead vocal on verses A, guitar), Archie Rabon DELMORE (tenor vocal, tenor guitar), Louis Marshall “Grandpa” JONES (baritone vocal), Clyde Julian “Red” FOLEY (bass vocal) 1
K-1977 | WILL THE CIRCLE BE UNBROKEN A (Ada Habershon-Charles H. Gabriel-rewrit. Alvin Pleasant Carter) | Ki-530 A | Ki-EP-320, Ki-LP-590, Ki-LP-807, Ki-LP-943, PMR-220, PMR-250, SD-3017, CD KCD-590, CD SD-3017-2, 2 CD 3506-2-2, CD KSCD-3831, CD GT7-0961-2 |
K-1978 | JUST A LITTLE TALK WITH JESUS (Cleavant Derricks) | Ki-530 B | Ki-EP-320, Ki-LP-590, PMR-250, CD KCD-590, 2 CD KH-3506-2-2 |
1. On many occasions, Charles K. Wolfe mentions Merle Travis singing and playing guitar on this two Brown’s Ferry Four titles. Merle is not present on this session. The bass singer is Red Foley and the two guitars are the ones of the Delmores.
DELMORE BROTHERS “Vocal with Guitars” or “Singing with Guitars” or “Vocal with String Band” or “Vocal Duet with Guitars”
William Alton DELMORE (lead vocal, or vocal on 2nd and 4th verses D; guitar), Archie Rabon DELMORE (vocal harmony, or vocal on 1st and 3rd verses D; tenor guitar), probably Louis INNIS
(rhythm guitar), Roy STARKEY (string bass)
K-1979 | SHE LEFT ME STANDING ON THE MOUNTAIN (Alton Delmore) | Ki-533 A | CCS-110, CD CCS-110, CD JSP-7765-C |
K-1980 | SOMEBODY ELSE’S DARLING D (Alton Delmore) | Ki-570 B | CD CHD-1074, CD JSP-7765-C |
K-1981 | KENTUCKY MOUNTAIN (Alton Delmore) | Ki-1005 B | Ki-LP-785, Ki-LP-920, Ki-LP-983, CCS-110, CD CH-455, CD CCS-110, CD JSP-7765-C |
K-1982 1 | MIDNIGHT TRAIN 2 (Alton Delmore) | Ki-548 A | Ki-LP-589, HV-1124, Ki-LP-983, PMR-289, CCS-110, CD CCS-110, CD JSP-7765-C |
1. Masters K-1983 and K-1984 by Cliff Carlisle. Masters K-1985 to K-1988 and K-1993 to K-1994 by Grandpa Jones with Merle Travis on electric guitar on February 22. Masters K-1989 to K-1992 by Hank Penny. 2. Charles K. Wolfe mentions Merle Travis taking a 12-string guitar break on “Midnight Train” (again on LP County CCS 110). There is no 12-string guitar on this title!
September; E.T. Herzog Recording Studio, 811 Race Street, Cincinnati, Ohio 1
DELMORE BROTHERS “Duet with Guitars” or “Vocal with Guitars” or “ Singing with Guitars”
William Alton DELMORE (lead vocal A, or vocal on verses A+, or vocal chorus D C; guitar), Archie Rabon DELMORE (vocal harmony, or vocal R, or
vocal on verses R+, or vocal chorus D C; tenor guitar), Wayne T. RANEY (vocal W, lead vocal W+, or lead vocal on choruses A+,
or vocal chorus C; harmonica h), probably Roy LANHAM (electric guitar e), possibly Kenneth C. “Jethro” BURNS (guitar), possibly Roy STARKEY (string bass)
K-2092 | SOME DAY YOU’LL PAY A h (Jim Scott) | Ki-873 A | Ki-LP-785, Ki-LP-983, CCS-110, CD CCS-110, CD JSP-7784-A |
K-2093 | GOIN’ BACK TO THE BLUE RIDGE MOUNTAINS A h (Jim Scott) | Ki-803 B | Ki-LP-785, Ki-LP-920, Ki-LP-983, CCS-110, CD CCS-110, CD JSP-7765-C |
K-2094 | MY HEART WILL BE CRYIN’ R+ h (Jim Scott) | Ki-873 B | CD CHD-1074, CD JSP-7784-A |
K-2095 | TAKE IT TO THE CAPTAIN A h 2 (Traditional, arr. Jim Scott) | Ki-718 B | Ki-LP-785, CD CH-455, CD JSP-7784-A |
K-2096 | LEAVIN’ TOWN R e (Jim Scott) | OHCS-154 3 | CD CHD-1074 |
K-2097 | ROUNDER’S BLUES A h (Jim Scott) | Ki-643 B | Ki-LP-785, Ki-LP-983, CD CH-455, CD JSP-7765-C |
K-2098 | THE WRATH OF GOD W+ D h (Jim Scott-Wayne Raney-Bob Nobar) 4 | Ki-769 A 5 | Gl-SS-1001, Ki-LP-556, Ki-LP-807, CD KCD-556, CD JSP-7765-C |
K-2099 | CALLING TO THAT OTHER SHORE A+ D (Jim Scott) | Ki-769 B | Ki-EP-313, Ki-LP-910, PMR-218, CD JSP-7765-C |
K-2100 | FREIGHT TRAIN BOOGIE A h e (Jim Scott-Bob Nobar) | Ki-570 A | Ki-EP-222, Ki-LP-589, HV-1124, Ki-45-5866, KS-1090, PMR-289, SG-110, SLP-962, BFX-15167, CD CH-455, CD KSCD-3831, CD JSP-7765-C, CD JASM-3588 |
K-2101 | BOOGIE WOOGIE BABY R+ e (Jim Scott-Bob Nobar) | Ki-599 A | BFX-15167, CD CH-455, CD JSP-7784-A |
K-2102 | SHAME ON ME R+ h e (Bob Nobar) | Ki-751 B | CD CHD-1074, CD JSP-7765-C |
K-2103 | BORN TO BE BLUE A e (Bob Nobar) | Ki-599 B | Ki-LP-589, HV-1124, Ki-LP-983, PMR-289, CD CHD-1074, CD JSP-7784-A |
K-2104 | WAITIN’ FOR THAT TRAIN A h (Jim Scott) | Ki-680 B | CD CHD-1074, CD JSP-7765-D |
K-2105 | HARMONICA BLUES W h (Wayne Raney) | Ki-643 A 5 | CD JSP-7765-D, CD JASM-3588 |
K-2106 | THE LOVE I CAST AWAY A C h 6 (Wayne Raney) | Ki-LP-1006 | |
K-2107 7 | MISSISSIPPI SHORE (2) A h 8 (Alton Delmore) | Ki-592 B | Ki-LP-920, CCS-110, CD CCS-110, CD CHD-1074, CD JSP-7765-D |
1. 1. On “Truth Is Stranger Than Publicity” 2nd edition, Charles Wolfe mentions February 2, 1946; but on “Everybody’s Grandpa”, he quotes the Grandpa’s recordings with masters numbers K-1985 to K-1994 on March! For this session, September seems more probable in regard both to the master numbers and the release dates. Concerning location, Wayne Raney remembers his first recording with the Delmore Brothers in Cincinnati. 2. Aka "Take This Hammer". 3. No King issue. 4. Bob Nobar is a pseudonym for Rabon. 5. Label only credits Delmore Brothers. 6. Only commercially issued short cut, but exists complete on acetate Audiodisc. 7. Masters K-2108 to K-2123 by Bill Carlisle. 8. Already recorded at Bluebird with the title "Happy on the Mississippi Shore".
BROWN’S FERRY FOUR “Sacred” or “Quartet with Guitars”
William Alton DELMORE (baritone lead vocal on verses A, or baritone vocal; guitar), Archie Rabon DELMORE (tenor lead vocal on verses R, or tenor vocal; tenor guitar g),
Louis Marshall “Grandpa” JONES (baritone lead vocal on verses J, or baritone vocal), Clyde Julian “Red” FOLEY (bass vocal)
K-2124 | ROCKIN’ ON THE WAVES (A. B. Sebren) | Ki-577 A | Ki-LP-551, Ki-EP-320, PMR-251, PMR-299, 2 CD KH-3506-2-2, CD JSP-7784-C |
K-2125 | IF WE NEVER MEET AGAIN R (Albert E. Brumley) | Ki-577 B | Ki-EP-237, Ki-LP-590, PMR-250, SD-3017, CD KCD-590, CD SD-3017-2, 2 CD KH-3506-2-2, CD JSP-7784-C |
K-2126 | I’ll FLY AWAY (Albert E. Brumley) | Ki-785 A | Ki-LP-551, Ki EP-320, PMR-251, 2 CD KH-3506-2-2, CD JSP-7784-C |
K-2127 | THE LORD IS WATCHING (OVER ME) (B. N. Hultsman) | Ki-631 B | Ki-EP-238, Ki-LP-590, Ki-LP-943, PMR-220, PMR-250, PMR-299, SD-3017, CD KCD-590, CD SD-3017-2, 2 CD KH-3506-2-2, CD GT7-0961-2, CD JSP-7784-C |
K-2128 | EVERYBODY WILL BE HAPPY (OVER THERE) (E. M. Bartlett) | Ki-631 A | Ki-LP-590, Ki-LP-943, PMR-220, PMR-250, PMR-299, SD-3017, CD KCD-590, CD SD-3017-2, 2 CD KH-3506-2-2, CD GT7-0961-2, CD JSP-7784-C |
K-2129 | HALLELUJAH MORNING g (Alton Delmore-Reverend Clifford R. Lanman) | Ki-750 A | Ki-LP-590, Ki-LP-943, PMR-220, PMR-250, PMR-299, CD KCD-590, 2 CD KH-3506-2-2, CD GT7-0961-2, CD JSP-7784-C |
K-2130 | OLD CAMP MEETING J g (Adger M. Pace) | Ki-593 A | Ki-EP-237, Ki-LP-551, PMR-251, 2 CD KH-3506-2-2, CD JSP-7784-C |
K-2131 | THERE’S A LIGHT GUIDING ME A (John Newton-Clyde J. Foley 1) | Ki-593 B | Ki-EP-238, Ki-LP-551, Ki-LP-943, PMR-220, PMR-251, 2 CD KH-3506-2-2, CD GT7-0961-2, CD JSP-7784-C |
K-2132 | SALVATION HAS BEEN BROUGHT DOWN (Albert E. Brumley) | Ki-662 A | Ki-EP-238, Ki-LP-551, PMR-251, 2 CD KH-3506-2-2, CD JSP-7784-C |
K-2133 | WHEN THE GOOD LORD CARES (Alton Delmore) | Ki-662 B | Ki-LP-590, Ki-LP-943, PMR-220, PMR-250, PMR-299, SD-3017, CD KCD-590, CD SD-3017-2, 2 CD KH-3506-2-2, CD GT7-0961-2, CD JSP-7784-C |
K-2134 | OVER IN THE GLORY LAND (James W. Acuff -Emmett S. Dean) | Ki-799 B | Ki-LP-590, Ki-LP-943, PMR-220, PMR-250, PMR-299, SD-3017, CD KCD-590, CD SD-3017-2, 2 CD KH-3506-2-2, CD GT7-0961-2, CD JSP-7784-C |
K-2135 | ON THE JERICHO ROAD (1) A (Don McCrossman-Marguerete McCrossman) | Ki-832 A | Gl-SS-1001, Ki-LP-551, Ki-LP-943, PMR-220, PMR-251, 2 CD KH-3506-2-2, CD GT7-0961-2, CD JSP-7784-C |
1. Aka Red Foley.
DELMORE BROTHERS “Vocal Duet with Guitars”
William Alton DELMORE (lead vocal, guitar), Archie Rabon DELMORE (vocal harmony, tenor guitar)
K-2136 | BROWN’S FERRY BLUES (2) 1 (Jim Scott) | Ki-592 A | Ki-EP-222, Ki-LP-589, HV-1124, Ki-LP-887, Ki-LP-910, LPM-6015, KS-1090, PMR-218, PMR-289, CD CH-455, CD CCS-110, CD KSCD-3831, CD JSP-7765-D |
1. Possibly recorded at WSM Radio Station, Nashville, in regard of the Raney recordings with masters K-2137 to K-2139.
September; probably WSM Radio Station, Nashville, Tennessee 1
WAYNE RANEY “Harmonica Solo” or “Harmonica with String Band” or “Harmonica with Talking”
Wayne T. RANEY (harmonica), William Alton DELMORE (guitar or comments D), Archie Rabon DELMORE (tenor guitar or comments D)
K-2137 | GREEN VALLEY WALTZ (Traditional) | Ki-676 B | Ki-EP-315, RLP-490, CD JSP-7784-D, CD GT7-2228-2 |
K-2138 | UNDER THE DOUBLE EAGLE (J. F. Wagner-Arr. Wayne Raney) | Ki-856 B | Ki-EP-315, RLP-490, CD JSP-7784-D |
K-2139 | FOX CHASE D (Traditional) | Ki-676 A | Ki-EP-235, CD CHD-857, CD JSP-7784-D |
1. According to Wayne Raney, a 4th instrumental was recorded in WSM Radio Station the same day: “The New Deal Blues”.
1947
Friday, August 1st; probably King Studio, 1540 Brewster Avenue, Cincinnati, Ohio
DELMORE BROTHERS “Singing with Guitars” or “Vocal with String Band” or “Vocal Duet”
William Alton DELMORE (lead vocal except R, guitar), Archie Rabon DELMORE (vocal harmony, or vocal on verses R; tenor guitar), Wayne RANEY (harmonica h), possibly Roy LANHAM
(electric guitar e), possibly Al STRICKLAND (steel guitar), unidentified (fiddle f ), unidentified (string bass)
K-2520 | MOBILE BOOGIE e (Norman King-Thomas Neeley) 1 | Ki-680 A | Ki-LP-785, BFX-15167, CD CH-455, CD JSP-7765-D |
K-2521 | STOP THAT BOOGIE R h e f (Norman King-Thomas Neeley) | Ki-751 A | BFX-15167, CD CHD-1074, CD JSP-7765-D |
K-2522 | WEARY DAY h f (Norman King-Thomas Neeley) | Ki-784 B | Ki-LP-785, Ki-LP-910, Ki-LP-983, PMR-218, CCS-110, CD CH-455, CD CCS-110, CD JSP-7784-A |
K-2523 | USED CAR BLUES R h f (Norman King-Thomas Neeley) | Ki-664-B | BFX-15167, CD CH-455, CD JSP-7765-D |
K-2524 2 | BARNYARD BOOGIE R h e 3 (Master) (Norman King-Thomas Neeley-Lois Mann 4) | Ki-664-A | KS-1090, SLP-962, BFX-15167, CD JSP-7765-D |
BARNYARD BOOGIE R h e 3 (Alternate take) | CD CHD-1074 |
1. Pseudonyms for respectively Rabon and Alton. 2. Unissued masters of K-2525 and K-2526 by Buster "Buck" Glosson, brother of Lonnie Glosson, probably with the Delmores: "1-2-3-4-5" and "Fan It/Bugle Call Rag medley". 3. With farm sound effect and Alton’s introduction All right boys, one, two, three, four... and conclusion It’s the silliest thing we ever did play! 4. Pseudonym for Sydney Nathan (the owner of King records): it is the maiden name of his wife.
Tuesday, October 7; probably King Studio, 1540 Brewster Avenue, Cincinnati, Ohio
DELMORE BROTHERS “Singing with Guitars” or “Vocal with String Band” or “Vocal Duet”
William Alton DELMORE (lead vocal, or vocal on 2nd verse D, or vocal on 1st verse D+, or vocal on 1st and 3rd verses D++; guitar), Archie Rabon DELMORE (vocal harmony, or vocal on 1st and
3rd verses D, or vocal on 2nd verse D+ D++; tenor guitar)
K-2592 | YOU CAN’T DO WRONG AND GET BY D (David Akeman 1) | Ki-EP-313 | Ki-LP-910, PMR-218, PMR-299, CD CH-455, CD CCS-110, CD KSCD-3831 |
K-2593 | LONG JOURNEY HOME 2 (Traditional) | Ki-EP-322 | Ki-LP-910, PMR-218, CD CHD-1074 |
K-2594 | ‘DIS TRAIN (Traditional) | Ki-EP-313 | Ki-LP-920, CD CCS-110, CD KSCD-3831, CD CHD-1074 |
K-2595 | FROZEN GIRL (2) 3 (Traditional, arr. Alton & Rabon Delmore) | Ki-EP-322 | Ki-LP-920, OHCS-160, CCS-110, CD CCS-110, CD OH-4160 |
K-2596 | RED RIVER VALLEY 2 (Traditional) | Ki-EP-322 | Ki-LP-887, Ki-LP-910, PMR-218, CD KSCD-3831, CD CHD-1074 |
K-2597 | SILVER THREADS AMONG THE GOLD D+ (Eben Eugene Rexford-Hart Pease Danks) | Ki-45-5407 | Ki-LP-910, PMR-218, CD Cattle-299 |
K-2598 | OH SUSANNAH D++ 3 (Stephen C. Foster) | Ki-EP-322 | Ki-LP-920, CD Cattle-299 |
K-2599 | GIVE ME YOUR HAND (Albert Brumley Jr) | Ki-EP-313 | Ki-LP-910, PMR-218, CD CHD-1074 |
1. Aka Stringbean. 2. Introduction by Alton. 3. Introduction by Rabon (on the County LP CCS-110, Charles Wolfe mentions “Frozen Girl” with Alton’s introduction!!).
BROWN’S FERRY FOUR “Sacred Singing with String Band”
William Alton DELMORE (baritone lead vocal on verses A, or baritone vocal; guitar), Archie Rabon DELMORE (tenor vocal, tenor guitar), Louis Marshall “Grandpa” JONES (baritone vocal), Merle Robert TRAVIS (bass vocal, guitar probably D-28 Martin)
K-2600 | ON THE JERICHO ROAD (2) A (Don McCrossman-Marguerete McCrossman) | 2CD KH-3506-2-2 | |
K-2601 | HIS BOUNDLESS LOVE A (Luther G. Presley) | Ki-760 B | Ki-LP-551, Ki-LP-943, PMR-220, PMR-251, 2 CD KH-3506-2-2, CD GT7-0961-2, CD JSP-7784-C |
K-2602 | ROCK OF AGES HIDE THOU ME (B. N. Hultsman) | Ki-700 B | Ki-EP-238, Ki-LP-551, Ki-LP-943, PMR-220, PMR-251, PMR-299, SD-3017, CD SD-3017-2, 2 CD KH-3506-2-2, CD GT7-0961-2, CD JSP-7784-C |
K-2603 | WHEN HE BLESSED MY SOUL (Master) (Cleavant Derricks) | Ki-750 B | Ki-LP-590, Ki-LP-943, PMR-220, PMR-250, CD KCD-590, CD JSP-7784-C |
WHEN HE BLESSED MY SOUL (Alternate take) | 2CD KH-3506-2-2 | CD GT7-0961-2 | |
K-2604 | I’VE GOT THAT OLD TIME RELIGION IN MY HEART (Hurdist Milsap) | Ki-760 A | Ki-LP-551, PMR-251, 2 CD KH-3506-2-2, CD JSP-7784-C |
K-2605 | I’M NATURALIZED FOR HEAVEN (Otis L. McCoy-Adger M. Pace) | Ki-832 B | Ki-LP-590, PMR-250, CD KCD-590, 2 CD KH-3506-2-2 |
K-2606 | WHEN HE CALLS HIS REAPERS (Luther G. Presley) | Ki-933 A | Ki-LP-590, PMR-250, CD KCD-590, 2 CD KH-3506-2-2 |
K-2607 | I’VE MADE A COVENANT WITH MY LORD (Robert E. Arnold) | Ki-785 B | Ki-EP-237, Ki-LP-551, PMR-251, 2 CD KH-3506-2-2 |
K-2608 | THRONE ETERNAL (Albert E. Brumley) | Ki-933 B | Ki-LP-590, PMR-250, CD KCD-590, 2 CD KH-3506-2-2 |
K-2609 | AFTER THE SUNRISE (J. R. Baxter Jr-Eugene Wright) | Ki-799 A | Ki-LP-551, PMR-251, 2 CD KH-3506-2-2 |
K-2610 | I’LL MEET YOU IN THE MORNING (Albert E. Brumley) | Ki-854 A | Gl-SS-1001, Ki-LP-590, PMR-250, CD KCD-590, 2 CD KH-3506-2-2 |
K-2611 | JESUS HOLD MY HAND (Albert E. Brumley) | Ki-854 B | Ki-LP-590, Ki-LP-943, PMR-220, PMR-250, CD KCD-590, 2 CD KH-3506-2-2, CD GT7-0961-2 |
K-2612 1 | KEEP ON THE FIRING LINE (Alphus LeFevre) | Ki-700 A | Ki-EP-237, Ki-LP-551, Ki-LP-943, PMR-220, PMR-251, 2 CD KH-3506-2-2, CD GT7-0961-2 |
1. Masters K-2613 to K-2616 by Grandpa Jones with Merle Travis on electric guitar.
Circa November; probably King Studio, 1540 Brewster Avenue, Cincinnati, Ohio
DELMORE BROTHERS “Vocal with String Band”
William Alton DELMORE (lead vocal, guitar), Archie Rabon DELMORE (vocal harmony, tenor guitar), probably Roy LANHAM (electric guitar e), unidentified (string bass)
K-2653 1 | FIFTY MILES TO TRAVEL e (Master) (Thomas Neeley) 2 | Ki-739 B | CD JSP-7765-D |
FIFTY MILES TO TRAVEL e (Alternate take) | CD CHD-1074 | ||
K-2654 | NOW I’M FREE e (Thomas Neeley) 2 | Ki-739 A | Ki-LP-785, Ki-LP-983, CD JSP-7765-D |
K-2655 | LONESOME DAY (Jim Scott) | Ki-946 B | CD JSP-7765-D |
K-2656 | LET YOUR CONSCIENCE BE YOUR GUIDE e (Master) (Jim Scott) | Ki-45-5407 | Ki-LP-920, CD Cattle-299 |
LET YOUR CONSCIENCE BE YOUR GUIDE e (Alternate take) | CD CHD-1074 |
1. Masters K-2645 to K-2652 by Grandpa Jones. About the eventual Delmores’ part on these numbers, none of their guitars are detectable and on “I Guess You Don’t Remember Now” the chorus is too much covered by the Grandpa’s voice to certifiy the Delmores’ presence. Wayne Raney is present, but exceptionally not on the following Delmore’s titles (K-2653 to K-2662). 2. Copyrighted Thomas Neeley but mentioned Jim Scott on 78 rpm.
GRANDPA JONES and DELMORE BROTHERS “Vocal with String Band”
Louis Marshall “Grandpa” JONES (vocal on 1st, 2nd and 5th verses J, or vocal on 1st verse G; 5-string banjo), William Alton DELMORE (vocal on 4th verse J,
or vocal on 3rd verse D; guitar), Archie Rabon DELMORE (vocal on 3rd verse J, or vocal on 2nd verse D; tenor guitar)
DARBY’S RAM J (Traditional) (Take 1) | CD CHD-1098 | ||
K-2657 | DARBY’S RAM J (Take 3, master) | Ki-708 A | Ki-LP-809, Ki-LP-967, CD CHD-1098, CD JSP-7784-A |
TAKE IT ON OUT THE DOOR G (Thomas Neeley-Norman King-Louis M. Jones 1) (Incompl. 2) | CD CHD-1098 3 | ||
K-2658 | TAKE IT ON OUT THE DOOR G D (Thomas Neeley-Norman King-L.M. Jones) (Master) | Ki-708 B | Ki-LP-809, Ki-LP-967, CD Ki-KS-5102, CD CHD-1098, CD JSP-7784-A |
1. Aka Grandpa Jones. 2. Aborted after one minute. 3. On the same #9 track than "Darby's Ram".
DELMORE BROTHERS “Vocal with String Band”
William Alton DELMORE (lead vocal except R, or vocal on 2nd verse D; guitar), Archie Rabon DELMORE (vocal harmony, or vocal on verses R, or vocal
on 1st and 3rd verses D; tenor guitar), Roy LANHAM (electric guitar e), possibly Zeke Turner 1 (electric guitar e+)
K-2659 | DOWN HOME BOOGIE e e+ (Thomas Neeley-Norman King-Phil Rickey 2 ) | Ki-784 A | BFX-15167, CD CHD-1074, CD JSP-7765-D |
K-2660 | PEACH TREE STREET BOOGIE R e e+ (Thomas Neeley-Norman King-Phil Rickey) | Ki-718 A | BFX-15167, CD CH-455, CD JSP-7765-D |
K-2661 | GOTTA’ HAVE SOME LOVIN’ D (Alton Delmore) | Ki-935 B | CD JSP-7784-A, CD JASM-3588 |
K-2662 | BEALE STREET BOOGIE e e+ (Roy Lanham -Alton Delmore-Rabon Delmore) | OHCS-154 3 | BFX-15167, CD CHD-854 |
1. Real name James C. Grishaw. 2. Aka Hank Penny. 3. No King issue.
Tuesday, December 30; KWEM Radio Station, West Memphis, Arkansas 1
WAYNE RANEY “Sacred” or “Vocal with String Band” or “Vocal with Guitars and Harmonica”
Wayne T. RANEY (lead vocal except M N, harmonica), possibly William Alton DELMORE (guitar g), Archie Rabon DELMORE (vocal chorus C, tenor guitar), Maxine “Mac” LUNA
(lead vocal M, or vocal chorus L C; possibly guitar, probably mandolin m), Norman LUNA (lead vocal N, or vocal chorus L, or vocal harmony M)
K-2825 | GATHERING IN THE SKY L (Wayne Raney) | Ki-759 A | Ki-LP-556, Ki-45-5327, Ki-LP-965, RLP-492, OHCS-305, CD KCD-556 |
K-2826 | THE BOOK OF REVELATIONS L (Wayne Raney) | Ki-759 B | Ki-45-5327, Ki-LP-807, Ki-LP-965, Ki-LP-1023, RLP-492, OHCS-305 |
K-2827 | I WANT TO LIVE WITH MOMMY THERE L (Mac Luna-Norman Luna) | Ki-887 A | |
K-2828 | STORY OF THE ORPHAN L (Mac Luna-Norman Luna) | Ki-887 B | RLP-491 |
K-2829 | THOUGHTS OF MOTHER (Wayne Raney-Thomas Neeley) | Unissued | |
K-2830 | THE HUNTER (Mac Luna-Norman Luna) | Unissued | |
K-2831 | FAST TRAIN THROUGH ARKANSAS N C g (Alton Delmore-Rabon Delmore) | Ki-856 A | Ki-LP-813, CD CHD-857, CD JSP-7784-D |
K-2832 | JOLE BLON’S GHOST L g (Wayne Raney-Norman King) | Ki-719 A | CD CHD-857, CD JSP-7784-D |
K-2833 | JACK AND JILL BOOGIE M g (Mac Luna-Norman Luna) | Ki-732 A | Ki-LP-588, BFX-15167, CR-30247, CD KCD-588, CD CHD-857, CD JSP-7784-D, CD JASM-3588 |
K-2834 | NIGHT AND DAY BOOGIE (Wayne Raney) | Unissued | |
K-2835 | LONESOME WIND BLUES L m (Wayne Raney) | Ki-732 B | Ki-EP-235, Ki-LP-588, Ki-45-5639, Ki LP-710, RLP-491, CR-30263, CD KCD-588, CD CHD-857, CD JSP-7784-D |
K-2836 | LOST JOHN BOOGIE L g (Wayne Raney) | Ki-719 B | Ki-EP-235, Ki-LP-588, Ki-45-5639, RLP-491, BFX-15167, CR-30247, CD KCD-588, CD CHD-857, CD JSP-7784-D, CD JASM-3588 |
1. According to Wayne Raney the session was engineered by Alton Delmore and Vernon Deliplane at KWEM Radio Station, Memphis, Tennessee, the night before a ban was imposed on recordings until further notice. Actually, the American Federation of Musicians called a new recording strike beginning on January 1, 1948. The strike ended on December 14, 1948.
1949
Thursday, May 5; King Studio, 1540 Brewster Avenue, Cincinnati, Ohio 1
From 9:00 a.m.
WAYNE RANEY “Vocal with String Band”
Wayne T. RANEY (vocal, or lead vocal W; harmonica), William Alton DELMORE (vocal chorus D, guitar), Archie Rabon DELMORE (vocal chorus D, tenor guitar), Lonnie GLOSSON (harmonica), Louis Innis (string bass)
K-2907 | WHY DON’T YOU HAUL OFF AND LOVE ME (Wayne Raney-Lonnie Glosson) | Ki-791 A | Ki-EP-235, Ki-LP-537, Ki-LP-588, SLP-164, SLP-279, CL-2668, Ki-LP-1027, NLP-2084, PMR-214, GTV-108, GT-0006, GT4-2197, CR-30263, CD KCD-588, CD CHD-857, CD JSP-7784-D, CD JASM 3588, CD GT7-2228-2 |
K-2908 | DEL RIO BOOGIE (Alton Delmore-Wayne Raney-Rabon Delmore) | Ki-840 B | BFX-15167, CD CHD-857, CD JSP-7784-D, CD JASM-3588 |
K-2909 | RED BALL TO NATCHEZ W D (Alton Delmore-Rabon Delmore-Louie Clark 2) | Ki-824 B | BFX-15167, CD CHD-857, CD JSP-7784-D |
K-2910 | DON’T KNOW WHY W D (Alton Delmore-Rabon Delmore-Wayne Raney) | Ki-791 B | CD CHD-857, CD JSP-7784-D |
1. Possibly E.T. Studio, 811 Race Street, Cincinnati on Friday May 6. 2. Louie Clark (or Louis Clark) is a boyhood pal of Wayne Raney.
DELMORE BROTHERS “Vocal with String Band”
William Alton DELMORE (lead vocal except R, or vocal chorus C; guitar), Archie Rabon DELMORE (vocal harmony, or vocal on verses R, or vocal chorus C; tenor guitar), Wayne T. RANEY
(vocal chorus C, harmonica), Lonnie GLOSSON (harmonica), Zeke TURNER (electric guitar), Louis Innis (string bass)
K-2911 | PAN AMERICAN BOOGIE R (Alton Delmore-Rabon Delmore) | Ki-826 B | Ki-LP-785, Ki-LP-983, KS-1090, SLP-962, BFX-15167, CD CH-455, CD KSCD-3831, CD JSP-7784-A |
K-2912 | SAND MOUNTAIN BLUES (Alton Delmore-Rabon Delmore) | Ki-849 A | Ki-LP-920, CCS-110, CD CH-455, CD CCS-110, CD JSP-7784-A |
K-2913 | I SWEAR BY THE STARS (Alton Delmore-Rabon Delmore) | Ki-849 B | Ki-LP-920, CD JSP-7784-A |
BLUES STAY AWAY FROM ME C (Take 1) (Alton Delmore-Wayne Raney-Rabon Delmore-Henry Glover 1) | CD CHD-1074 | ||
K-2914 | BLUES STAY AWAY FROM ME C (Take 3, master) | Ki-803 A | Ki-EP-222, Ki-LP-537, Ki-LP-589, Ki-45-5675, S-164, HV-1124, Ki-LP-910, SLP-291, Ki-LP-983, CL-2668, SK-8022, KS-1090, SLP-9-451, PMR-218, PMR-289, PMR-291, SG-110, SLP-962, GTV-108, GT-0006, TLCW-05, CD CH-455, CD KS-3831, CD CHD-1074, CD JSP-7765-D, CD JASM-3588 |
1. Henry Glover is a black pianist, trumpet player, songwriter and King arranger and A & R producer.
Wednesday, August 24; Castle Studio, Tulane Hotel, 206 8th Avenue, Nashville, Tennessee
LONNIE GLOSSON “Singing With Instrumental Accompaniment”
Lonnie GLOSSON (lead vocal, harmonica), William Alton DELMORE (vocal chorus D, guitar), Archie Rabon DELMORE (vocal chorus D, tenor guitar), Wayne T. RANEY (harmonica), unidentified (string bass)
75211 | DOWN AT THE BURYING GROUND D (Lonnie Glosson-Alton Delmore) | De-46190 1 | |
75212 | I'VE GOT THE JITTERS OVER YOU (Lonnie Glosson-Alton Delmore-Rabon Delmore) | De-46190 | CD JASM-3588 |
75213 | I WANT YOU TO KNOW THAT I LOVE YOU D (Alton Delmore-Lonnie Glosson) | De-46361 1 | CD JASM-3588 |
75214 | I'LL LOVE YOU TILL THE COWS COME HOME (Alton Delmore-Lonnie Glosson-Rabon Delmore) | De-46361 | JASM-3588 |
1. No “A” or “B” side on the Decca 78 rpm of this period.
Monday, September 19; Sellers Transcription Company, 2102 Jackson Street, Dallas, Texas
WAYNE RANEY
Wayne T. RANEY (lead vocal, harmonica), William Alton DELMORE (guitar), Archie Rabon DELMORE (tenor guitar), Lonnie GLOSSON (harmonica), unidentified (string bass)
K-2938 1 | I FEEL A STREAK OF LOVE COMING ON (Wayne Raney) | Unissued |
K-2939 1 | I’M SQUARE DAB FROM THE COUNTRY (AND THE COUNTRY’S STILL IN ME) (Wayne Raney-Jean Branch) | Unissued |
1. Matrices recut at the Cincinnati studios on October 14, the same master numbers being used. The issued titles are probably from the second session.
DELMORE BROTHERS “Vocal with String Band”
William Alton DELMORE (vocal chorus, guitar), Archie Rabon DELMORE (vocal chorus, tenor guitar), Wayne T. RANEY (vocal chorus, harmonica), Lonnie GLOSSON (harmonica), probably Zeke Turner (electric guitar)
K-2941 1 | TROUBLE AIN’T NOTHIN’ BUT THE BLUES (1) 2 (Alton Delmore-Wayne Raney-Rabon Delmore-Henry Bernard 3) | Ki LP-785 | Ki LP-983, KS-1090, SLP-962, CD CH-455, CD JSP-7765-D |
1. Matrice supposed to be recut at the Cincinnati studios on October 14, the same master number being used. According to Tony Rounce, “Fast Train Through Arkansas” by the Delmores does not exist. The acetate for K-2940 is just a re-dubbing of Maxine “Mac” Luna’s cut K-2831. 2. They are 2 issued versions of “Trouble Ain’t Nothin’ But the Blues”: one with medium tempo and equal voices, another slower with the voice of Wayne Raney more important. It is not sure which one was recorded the first. It is possible, too, that the 2 versions came from the second session. 3. Aka Henry Glover.
Friday, October 14; King Studio, 1540 Brewster Avenue, Cincinnati, Ohio
WAYNE RANEY “Vocal with String Band”
Wayne T. RANEY (lead vocal, harmonica), William Alton DELMORE (guitar), Archie Rabon DELMORE (tenor guitar), Lonnie GLOSSON (harmonica), unidentified (string bass)
K-2938 | I FEEL A STREAK OF LOVE COMING ON (Wayne Raney) | Ki-840 A | CD CHD-857 |
K-2939 | I’M SQUARE DAB FROM THE COUNTRY (AND THE COUNTRY’S STILL IN ME) (Wayne Raney-Jean Branch) | Ki-824 A | Ki-LP-847, CD CHD-857 |
DELMORE BROTHERS “Vocal with String Band”
Wayne T. RANEY (lead vocal, harmonica), William Alton DELMORE (vocal chorus, guitar), Archie Rabon DELMORE (vocal chorus, tenor guitar), Lonnie GLOSSON (harmonica), probably Zeke Turner (electric guitar)
K-2941 | TROUBLE AIN’T NOTHIN’ BUT THE BLUES (2) (Alton Delmore-Wayne Raney-Rabon Delmore-Henry Bernard) | Ki-826 A | Ki-LP-697, Ki-45-5675 |
1950
Thursday, January 5; Possibly Decca Records, New York, New York
Lonnie GLOSSON “Singing With Instrumental Accompaniment” or “Harmonica Solo With Instrumental Accompaniment”
Lonnie GLOSSON (lead vocal G, harmonica), William Alton DELMORE (guitar), Archie Rabon DELMORE (tenor guitar), unidentified (vocal harmony G), Wayne T. RANEY (harmonica), probably Zeke TURNER (electric guitar)
75697 | TROUBLE AIN'T NOTHIN' BUT THE BLUES G (Alton Delmore-Wayne Raney-Rabon Delmore-Henry Bernard) | De-46215 1 | CD JASM-3588 |
75698 | PAN AMERICAN BOOGIE G (Alton Delmore-Rabon Delmore) | De-46215 | CD JASM-3588 |
75699 | STEEL GUITAR RAG (Leon McAuliffe) | De-46227 1 | |
75700 | DEL RIO BLUES (Lonnie Glosson-Rabon Delmore) | De-46227 | CD JASM-3588 |
1. No “A” or “B” side on the Decca 78 rpm of this period.
Circa January; location uncertain
LONESOME WILLIE EVANS 1 “Vocal with Instr. Accomp.” or “With Harmonica and String Accompaniment”
Wayne T. RANEY (vocal W, harmonica h), Lonnie GLOSSON (lead vocal G, harmonica h+), William Alton DELMORE (guitar), unidentified (vocal
harmony G), possibly Archie Rabon DELMORE (tenor guitar), probably Roy LANHAM (electric guitar), unidentified (string bass)
DLG-50235 | HILLBILLY FEVER W h+ 2 (George Vaughn) | Ld-16019 A | Ld-30086 A, CD JASM-3588 |
DLG-50236 | 900 MILES FROM HOME G h (Loys Southerland) 3 | Ld-16019 B | Ld-30086 B |
1. Pseudonym for Wayne Raney. 2. Probably the original version with composer George Vaughn Horton being present. 3. Pen name for Wayne Raney. Maiden name of his wife.
HALLELUJAH TRIO “Vocal, with Instrumental Accompaniment”
Probably George Vaughn HORTON (lead vocal V, mandolin), Lonnie GLOSSON (lead vocal G, possibly harmonica), William Alton DELMORE (vocal chorus, guitar), possibly Archie Rabon DELMORE
(tenor guitar), possibly Wayne T. RANEY (vocal chorus, harmonica), probably Roy LANHAM (electric guitar), unidentified (string bass)
DLG-50237 | WILL THE CIRCLE BE UNBROKEN V (George Vaughn) sic 1 | Ld-16020 A | CD JASM-3588 |
DLG-50238 | THIS TRAIN WILL SOON BE LEAVING G (Lonnie Glosson-Hank Dalton) | Ld-16020 B | CD JASM-3588 |
1. Actually Ada Habershon-Charles H. Gabriel and rewriting Alvin Pleasant Carter.
Circa March; location uncertain
LONESOME WILLIE EVANS “Vocal, with Harmonica and String Accompaniment”
Wayne T. RANEY (Lead vocal, harmonica h), William Alton DELMORE (vocal chorus A, guitar), possibly Archie Rabon DELMORE (vocal chorus R, tenor guitar),
unidentified (vocal chorus), Lonnie GLOSSON (harmonica h+), probably Roy LANHAM (electric guitar), unidentified (string bass)
DLG-50278 | THE SUN HAS GONE DOWN (ON THE ONLY ONE I LOVE) A (Loys Southerland) | Ld-16025 A | |
DLG-50279 | LONESOME RAILROAD BLUES R h h+ (Loys Southerland) 3 | Ld-16025 B | CD JASM-3588 |
1. Masters DLG-50280 to DLG-50293 by Claire "Shanty" Hogan and Teddy Phillips & his Orchestra.
HANK DALTON 1 AND THE BRAKEMEN “Vocal, with Instr. Accomp.”
Probable Ray SMITH (lead vocal S, vocal chorus), Lonnie GLOSSON (lead vocal G, vocal chorus; harmonica h), William Alton DELMORE
(vocal chorus, guitar), probably Archie Rabon DELMORE (tenor guitar), possibly George Vaughn HORTON (mandolin m), probably Roy LANHAM (electric guitar), unidentified (string bass)
DLG-50294 | HUMMINGBIRD SPECIAL S h (George Vaughn) | Ld-16032 2 | Ld-30085 A, CD JASM-3588 |
DLG-50295 | LITTLE GIRL, YOU’RE MEAN TO ME G m (Lonnie Glosson-Hank Dalton) | Ld-16032 2 | Ld-30085 B, CD JASM-3588 |
1. Pseudonym at once for Alton and a number of artists including Lonnie Glosson and Ray Smith (nothing to do with the Sun artist). There’s no presence of Alton in others Hank Dalton’s sessions. 2. No “A” or “B” side on this 78 rpm.
Circa July; location uncertain
HALLELUJAH TRIO
Archie Rabon DELMORE (lead vocal R, vocal on 2nd verse D, vocal chorus; probably tenor guitar), William Alton DELMORE (vocal on 1st verse D, vocal chorus;
probably guitar), Wayne T. RANEY (vocal on 3rd verse W, vocal chorus; harmonica), possibly George Vaughn HORTON (mandolin), unidentified (string bass)
DLG 50399 | JUST A CLOSER WALK WITH THEE R (Traditional) | Ld-16036 1 | |
DLG 50400 | EVERYDAY RELIGION D W(George Vaughn) | Ld-16036 1 | CD JASM-3588 |
1. No “A” or “B” side on this 78 rpm.
LONESOME WILLIE EVANS
Wayne T. RANEY (lead vocal, harmonica), probably William Alton DELMORE (guitar), possibly Archie Rabon DELMORE (tenor guitar), possibly Roy LANHAM (electric guitar g), unidentified
(fiddle f ), unidentified (string bass)
DLG-50401 | TROUBLE, THEN SATISFACTION g (Matthew Strange 1-George Vaughn) | Ld-16035 2 | CD JASM-3588 |
DLG-50402 | WHIPPOORWILL SONG f (Matthew Strange 1-George Vaughn) | Ld-16035 2 |
1. Pseudonym at once for Alton, Rabon and Raney. 2. No “A” or “B” side on this 78 rpm.
The Raney files mentions the following recorded titles for London: "Sweet memories", "Danced with the Bottle", "Mistreated Blues", "Today Is So Lonely Since You're Gone", "Little Bird", "Bayou Blues",
"My Heart Fails Me", "Caroline Boogie Boy", "You'll Never Catch Me Cheatin' Anymore", "Blues in My Dreams", "My Home in the Skies".
Tuesday, October 3; King Studio, 1540 Brewster Avenue, Cincinnati, Ohio
WAYNE RANEY “Vocal with String Band”
Wayne T. RANEY (vocal, harmonica), William Alton DELMORE (guitar), Archie Rabon DELMORE (tenor guitar), Lonnie GLOSSON (harmonica), Louis Innis (string bass)
K-3099 | I’VE DONE AND SOLD MY SOUL (Lonnie Glosson-Wayne Raney) | Ki-939 B | Ki-LP-588, CR-30263, CD KCD-588, CD JSP-7784-D, CD JASM-3588 |
K-3100 | PARDON MY WHISKERS (Wayne Raney-Lois Mann) | Ki-910 B | Ki-EP-315, Ki-LP-588, RLP-489, CR-30263, CD KCD-588, CD CHD-857, CD JSP-7784-D |
K-3101 | I LOVE MY LITTLE YO-YO (Wayne Raney) | Ki-939 A | Ki-EP-315, Ki-LP-588, RLP-489, CD KCD-588, CD JSP-7784-D |
K-3102 1 | OLD FASHIONED MATRIMONY IN MIND (Wayne Raney) | Ki-910-A | RLP-489, CR-30263, CD BACM-315 |
1. Masters K-3103 to K-3106 by Clyde Moody.
Thursday, October 5; King Studio, 1540 Brewster Avenue, Cincinnati, Ohio
DELMORE BROTHERS “Vocal with String Band”
William Alton DELMORE (lead vocal, guitar), Archie Rabon DELMORE (vocal harmony, tenor guitar), unidentified (background vocal C), Wayne T. RANEY (harmonica), Lonnie GLOSSON (harmonica),
probably Zeke Turner (electric guitar), unidentified (fiddle), Louis Innis (string bass)
K-3107 | EVERYBODY LOVES HER (Alton Delmore-Rabon Delmore) | Ki-946 A | Ki-LP-589, HV-1124, Ki-LP-983, PMR-289, CD JSP-7765-D |
K-3108 | LIFE’S TOO SHORT (Alton Delmore-Rabon Delmore) | Ki-911 B | Ki-LP-910, PMR-218, CD JSP-7784-A |
K-3109 | FIELD HAND MAN C (Alton Delmore-Lois Mann-Rabon Delmore) | Ki-935 A | Ki-LP-589, HV-1124, Ki-LP-983, KS-1090, PMR-289, SLP-962, CD CH-455, CD JSP-7784-A |
K-3110 | BLUES YOU NEVER LOSE C (Alton Delmore-Henry Glover-Rabon Delmore) | Ki-911 A | Ki-LP-589, HV-1124, Ki-LP-920, Ki-LP-983, PMR-289, CD CH-455, CD JSP-7784-A |
Monday, October 9; King Studio, 1540 Brewster Avenue, Cincinnati, Ohio
WAYNE RANEY “Vocal with String Band”
Wayne T. RANEY (lead vocal, harmonica), William Alton DELMORE (vocal chorus, guitar), Archie Rabon DELMORE (vocal chorus, tenor guitar), Lonnie GLOSSON (harmonica), probably Al MYERS (electric guitar), unidentified (fiddle)
K-3111 | I’M ON MY WAY (Henry Glover-Lois Mann-Eddie Smith 1) | Ki-956 A | RLP-491, CR-30247, CD BACM-315 |
1. Eddie Smith is a pianist and a King engineer.
DELMORE BROTHERS “Vocal with String Band”
William Alton DELMORE (lead vocal except R, guitar), Archie Rabon DELMORE (vocal harmony, or vocal on verses R; tenor guitar), Wayne T. RANEY (harmonica), Lonnie GLOSSON
(harmonica), probably Al MYERS (electric guitar e), unidentified (fiddle), unidentified (string bass)
K-3112 | I LET THE FREIGHT TRAIN CARRY ME ON e (Master) (Alton Delmore-Rabon Delmore-Lois Mann) | Ki-927 A | Ki-LP-785, Ki-LP-983, CD JSP-7765-D |
I LET THE FREIGHT TRAIN CARRY ME ON e 1 (Alternate take) | CD CHD-1074 | ||
K-3113 | PLEASE BE MY SUNSHINE R (Alton Delmore-Rabon Delmore) | Ki-927 B | Ki-LP-589, HV-1124, Ki-LP-983, PMR-289, CD JSP-7765-D |
1. The voice heard before the track is that of Henry Glover.
WAYNE RANEY “Vocal with String Band”
Wayne T. RANEY (vocal, harmonica), William Alton DELMORE (guitar), Archie Rabon DELMORE (tenor guitar), Lonnie GLOSSON (harmonica), probably Al MYERS (electric guitar e),
unidentified (steel guitar s), Henry GLOVER (piano p), unidentified (string bass), unidentified (fiddle)
K-3114 | THE FAMILY TREE MUSTA FELL ON ME (Wayne Raney-Lois Mann-Henry Glover) | Ki-925 B | RLP-491, CD JSP-7784-D |
K-3115 | I AIN’T NOTHIN’ BUT A TOMCAT’S KITTEN e s (Wayne Raney) | Ki-956 B | RLP-491, CR-30263, CD CHD-857, CD JSP-7784-D |
K-3116 | IF YOU’VE GOT THE MONEY, I’VE GOT THE TIME e s p (Lefty Frizzell) | Ki-914 A | RLP-491, GT4-2197, CR-30247, CD CHD-857, CD JSP-7784-D |
K-3117 | MY ANNABELLE LEE s (Wayne Raney) | Ki-925 A | Ki-LP-588, RLP-491, CD KCD-588, CD JSP-7784-D |
K-3118 | REAL HOT BOOGIE s (Wayne Raney-Norman 1) | Ki-914 B | RLP-491, BFX-15167, CR-30247, CD CHD-857, CD JSP-7784-D, GT7-2228-2 |
1. Possibly Norman Luna.
1951
Monday, March 12; King Studio, 1540 Brewster Avenue, Cincinnati, Ohio 1
DELMORE BROTHERS “Vocal with String Band”
William Alton DELMORE (lead vocal, guitar), Archie Rabon DELMORE (vocal harmony, or vocal chorus C; tenor guitar), Wayne T. RANEY (vocal chorus C, harmonica h),
probably Al MYERS (electric guitar 2), unidentified (piano), unidentified (string bass)
K-3172 | WHO’S GONNA BE LONESOME FOR ME h (Alton Delmore-Rabon Delmore) | Ki-966 B | Ki-LP-785, Ki-LP-983, CD JSP-7765-D |
K-3173 | THE GIRL BY THE RIVER C (Rabon Delmore-Alton Delmore) | Ki-981 A | Ki-LP-785, Ki-LP-871, Ki-LP-910, Ki-LP-983, PMR-218, CD JSP-7765-D |
1. First session recorded on tape. 2. Played partly in Travis Picking on “Who’s Gonna Be Lonesome for Me”, but Al Myers was known to play in this style.
WAYNE RANEY “Vocal with String Band” or “Vocal by Wayne Raney and the Trio” (K-3176, K-3177)
Wayne T. RANEY (vocal, or lead vocal W, or vocal chorus C; harmonica h), William Alton DELMORE (vocal chorus C W, guitar), Archie Rabon DELMORE (vocal
chorus C W, tenor guitar), probably Al MYERS (electric guitar), probably Henry GLOVER (piano), unidentified (string bass)
K-3174 | I HAD MY FINGERS CROSSED (Wayne Raney-Louie Clark) | Ki-974 B | RLP-489, CR-30247, CD CHD-857, CD JSP-7784-D, GT7-2228-2 |
K-3175 | YOU BETTER TREAT YOUR MAN RIGHT h (Wayne Raney) | Ki-989 A | RLP-489, CR-30247, CD CHD-857, GT7-2228-2 |
K-3176 | BLUES AT MY DOOR C h (Wayne Raney-Louie Clark) | Ki-989 B | RLP-489, CR-30247, CD CHD-857, CD JSP-7784-D |
K-3177 | I WANT A HOME IN DIXIE W (Wayne Raney-Louie Clark) | Ki-974 A | RLP-489, CR-30263, CD BACM-315, GT7-2228-2 |
DELMORE BROTHERS “Vocal with String Band”
William Alton DELMORE (lead vocal, guitar), Archie Rabon DELMORE (vocal harmony, tenor guitar), Wayne T. RANEY (harmonica), probably Al MYERS (electric guitar), probably Henry GLOVER
(piano), unidentified (string bass), unidentified (drums)
K-3178 | THERE’S SOMETHING ‘BOUT LOVE (Rabon Delmore-Alton Delmore) | Ki-981 B | Ki-LP-589, HV-1124, Ki LP-983, PMR-289, CD JSP-7765-D |
K-3179 | TENNESSEE CHOO CHOO (Alton Delmore-Rabon Delmore) | Ki-966 A | Ki-LP-697, S-1090, SLP-962, CD JSP-7765-D |
Saturday, August 4; probably Jim Beck Studio, Dallas, Texas
MERCER BROTHERS
Charlie MERCER (vocal, guitar), Wallace MERCER (vocal, tenor guitar), probably Alton DELMORE 1 (guitar), Wayne RANEY (harmonica)
CO-46813 | IF NICKELS WERE DIMES (Boudleaux Bryant) | Co-20871 | CD Cattle-275 |
CO-46814 | WISH BONE (Wallace Mercer) | Co-20927 | CD Cattle-275 |
CO-46815 | YOU JUST WAIT AND SEE (Wallace Mercer) | Co-20871 | CD Cattle-275 |
CO-46816 | NO PLACE TO HANG MY HAT (Wallace Mercer) | Co-20927 | CD Cattle-275 |
1. Good friend of the Delmores, 1950s disc jockey and personality in Alabama, Bob McKinnon stated then that Alton played guitar and Wayne Raney harmonica on the 1951 and 1952 Columbia sessions of the Mercer Brothers.
Sunday, October 21; King Studio, 1540 Brewster Avenue, Cincinnati, Ohio
WAYNE RANEY “Vocal with String Band”
Wayne T. RANEY (vocal, harmonica), William Alton DELMORE (guitar), Archie Rabon DELMORE (tenor guitar), possibly Roy LANHAM (electric guitar e), unidentified (string bass)
K-3262 | HEADS OR TAILS, I WIN e (Wayne Raney-Louie Clark-Alton Delmore) | Ki-1058 B | RLP-491, CR-30247, CD BACM-315 |
K-3263 | CATFISH BABY e (Wayne Raney) | Ki-1058 A | Ki-LP-588, RLP-491, BFX-15167, CR-30247, CD KCD-588, CD CHD-857, CD JSP-7784-D |
K-3264 | I’D FEEL JUST LIKE A MILLIONAIRE (Wayne Raney-Louie Clark) | Ki-1036 B | RLP-492, OHCS-305, CR-30263, CD BACM-315 |
K-3265 | REAL GOOD FEELIN’ e (Vediazella McGhee) | Ki-1036 A | RLP-492, OHCS-305, CR-30247, CD BACM-315 |
Monday, October 22; King Studio, 1540 Brewster Avenue, Cincinnati, Ohio
DELMORE BROTHERS “Vocal with String Band”
William Alton DELMORE (lead vocal except R, guitar), Archie Rabon DELMORE (vocal harmony, or vocal on verses R; tenor guitar), Wayne T. RANEY (harmonica), probably Henry GLOVER
(piano p), possibly Roy LANHAM (electric guitar), unidentified (string bass)
K-3266 | I’LL BE THERE (Henry Glover) | Ki-1023 A | Ki-LP-589, HV-1124, KS-1090, PMR-289, SLP-962, CD JSP-7784-A |
K-3267 | HEARTBREAK RIDGE R (Alton Delmore-Lois Mann-Henry Glover-Rabon Delmore) | Ki-1005 A | CD JSP-7784-A |
K-3268 | GOOD TIME SATURDAY NIGHT p (Alton Delmore-Henry Glover-Rabon Delmore) | Ki-1053 A | Ki-LP-589, HV-1124, PMR-289, CD JSP-7765-D |
K-3269 1 | STEAMBOAT BILL BOOGIE (Alton Delmore-Rabon Delmore) | Ki-1023 B | Ki-LP-589, HV-1124, KI-LP-871, PMR-289, CD CH-455, CD JSP-7784-D |
1. Masters K-3270 to K-3273 by Moon Mullican (piano instrumentals).
Sunday, October 28; King Studio, 1540 Brewster Avenue, Cincinnati, Ohio
BROWN’S FERRY FOUR “Sacred Singing”
William Alton DELMORE (baritone vocal, possibly guitar), Archie Rabon DELMORE (tenor vocal), Louis Marshall “Grandpa” JONES (baritone vocal, 5-string banjo b), Ulysses “Red” TURNER (bass vocal; probably guitar, or mandolin m)
K-3274 | THE JUDGEMENT DAY (Alton Delmore) | 2CD KH-3506-2-2 | |
K-3275 | THERE’S A PAGE IN THE BIBLE b m (Alton Delmore) | Ki-1059 A | Ki-LP-590, Ki-LP-943, PMR-220, PMR-250, CD KCD-590, 2 CD KH-3506-2-2, CD GT7-0961-2 |
K-3276 | WE SHOULD WALK TOGETHER (Alton Delmore) | Ki-1059 B | Ki-LP-590, PMR-250, CD KCD-590, 2 CD KH-3506-2-2 |
K-3277 | I AM A WEARY PILGRIM (Alton Delmore) | Ki-1032 B | Ki-LP-943, PMR-220, 2 CD KH-3506-2-2, CD GT7-0961-2 |
K-3278 | HEAVEN ETERNAL FOR ME (Louis M. Jones) | Ki-1032 A | Ki-LP-822, Ki-LP-943, PMR-220, PMR-222, SD-3017, CD SD-3017-2, CD KCD-822, 2 CD KH-3506-2-2, CD KG-0551-2, CD GT7-0961-2 |
K-3279 1 | I’M TRAVELING HOME (Alton Delmore) | Unissued |
1. Masters # 3280 to 3283 by Grandpa Jones on October 29.
Monday, October 29 1; King Studio, 1540 Brewster Avenue, Cincinnati, Ohio
HARLAN COUNTY FOUR “Sacred Singing with String Band” or “Sacred Singing”
William Alton DELMORE (baritone lead vocal A, or baritone vocal; possibly guitar), Archie Rabon DELMORE (tenor lead vocal R, or tenor vocal), Zeke
TURNER 2 (baritone vocal; possibly guitar, or string bass), Ulysses “Red” TURNER 2 (bass vocal; possibly guitar, or mandolin m)
K-3284 | SHOW ME THE WAY (Alton Delmore) | Ki-1121 A | AL-1557, CD JSP-7784-C |
K-3285 | GOD WILL GUIDE YOU m (Alton Delmore) | Ki-1121 B | CD JSP-7784-C |
K-3286 | THE ATOMIC TELEPHONE A (Eddie Smith-Henry Glover-Lois Mann) | Ki-1016 B | CD JSP-7784-C |
K-3287 | THE TEN COMMANDMENTS R (Lois Mann-Henry Glover-Howie Kay) | Ki-1016 A | AL-1523, CD JSP-7784-C |
K-3288 | MY FATHER’S MANSION m (Alton Delmore) | Ki-1050 B | CD JSP-7784-C |
K-3289 | JOHN THREE SIXTEEN m 3 (Delmore-Ulysses Turner) | Ki-1050 A | AL-1518, NA-101, CD JSP-7784-C |
K-3290 | START TO PRAYING A (Alton Delmore-Lois Mann) | Ki-1068 B | CD JSP-7784-C |
K-3291 | I CRIED HOLY R (Nettie Dudley) | Ki-1068 A | AL-1504, CD JSP-7784-C |
1. Possibly Tuesday, October 30. 2. No relation; they were at least 3 brothers acts named the Turner Brothers: Zeke & Zeb (real name Grishaw), Ulysses “Red” & Monroe “Lige” and Kenneth & Wayne. 3. In the King files as “John Three Sexteen”!
1952
Monday, May 19; possibly Jim Beck Studio, Dallas, Texas
MERCER BROTHERS
Charlie MERCER (vocal, guitar), Wallace MERCER (vocal, tenor guitar), probably Alton DELMORE (guitar), Wayne RANEY (harmonica), Doyle STRICKLAND (fiddle)
CO-47963 | WHAT'S HE GOT THAT I AIN’T GOT (Wallace Mercer) | Co-20978 | CD Cattle-275 |
CO-47984 | TELL ME WHO (Jack Logan-Felice Bryant) | Co-21031 | CD Cattle-275 |
CO-47985 | IT AIN’T NO USE (Lonny Polk-Guy Willis) | Co-21031 | CD Cattle-275 |
CO-47986 | ME AND MY BUSTED HEART (Shorty Long) | Co-20978 | CD Cattle-275 |
Wednesday, May 21; King Studio, 1540 Brewster Avenue, Cincinnati, Ohio
WAYNE RANEY “Vocal with String Band”
Wayne T. RANEY (vocal, harmonica 1), William Alton DELMORE (guitar), Archie Rabon DELMORE (tenor guitar), unidentified (string bass)
K-3383 2 | I’M REALLY NEEDIN’ YOU (Wayne Raney) | Ki-1087 A | RLP-489, CR-30263, CD BACM-315 |
K-3384 | UNDERTAKIN’ DADDY (Wayne Raney) | Ki-1116 A | RLP-489, CR-30247, CD CHD-857 |
UNDERTAKIN’ DADDY (Same take without dubbed harmonica) | CD CHD 857 |
1. Enregistré en re-recording. 2.Marked K-3382 both on the single and on the 78 rpm King 1087.
DELMORE BROTHERS “Vocal with String Band”
William Alton DELMORE (lead vocal, guitar), Archie Rabon DELMORE (vocal harmony, tenor guitar), Wayne T. RANEY (harmonica), unidentified (string bass)
K-3385 | HOW YOU GONNA GET YOUR LOVIN’ DONE (Alton Delmore) | Ki-1113 A | CD JSP-7784-A, CD JASM-3588 |
WAYNE RANEY “Vocal with String Band”
Wayne T. RANEY (vocal, or lead vocal W, harmonica), William Alton DELMORE (vocal chorus D, guitar), Archie Rabon DELMORE (vocal chorus D, tenor guitar), unidentified (string bass)
K-3386 | WHEN THEY LET THE HAMMER DOWN W D (Wayne Raney-Alton Delmore-Rabon Delmore) | Ki-1116 B | RLP-489, BFX-15167, CR-30263, CD CHD-857, CD JSP-7784-D |
K-3387 | BEATIN’ ROUND THE BUSH (Wayne Raney-Alton Delmore-Rabon Delmore) | Ki-1087 B | RLP-492, OHCS-305, CR-30247, CD BACM-315 |
DELMORE BROTHERS “Vocal with String Band”
William Alton DELMORE (lead vocal, guitar), Archie Rabon DELMORE (vocal harmony, tenor guitar), Wayne T. RANEY (harmonica), probably Zeke Turner (electric guitar), unidentified (string bass)
K-3388 | GOT NO WAY OF KNOWING (Alton Delmore) | Ki 1084-B | |
K-3389 | I SAID GOODNIGHT MY DARLING (BUT YOU SAID GOODBYE TO ME) (Alton Delmore) | Ki-1113 B | CD JSP-7784-A |
K-3390 | MUDDY WATER (Alton Delmore) | Ki-1084 A | Ki-LP-589, Ki-45-5224, HV-1124, KS-1090, PMR-289, CD CH-455 |
1. Masters K-3391 to K-3394 by Randall Parker.
Friday, May 23; King Studio, 1540 Brewster Avenue, Cincinnati, Ohio
BROWN’S FERRY FOUR “Sacred Singing” or “Sacred Singing with String Band”
William Alton DELMORE (baritone lead vocal A, or baritone vocal; guitar), Archie Rabon DELMORE (tenor vocal), unidentified (baritone vocal, probably guitar), Ulysses “Red” TURNER (bass vocal, mandolin)
K-3395 | THE ARM OF GOD A (Alton Delmore) | Ki-1114 A | Ki-LP-822, Ki-LP-910 1, Ki-LP-943, PMR-218 1, PMR-220, PMR-222, PMR-299 1, SD-3017, CD SD-3017-2, CD KCD-822, 2 CD 3506-2-2, CD KG-0551-2, CD GT7-0961-2 |
K-3396 | BOUND FOR THE SHORE (Mrs C. E. Delmore 2-Alton Delmore) | Ki-1086 B | Ki-LP-822, Ki-LP-943, PMR-220, PMR-222, SD-3017, CD SD-3017-2, CD KCD-822, 2 CD KH-3506-2-2, CD KG-0551-2, CD GT7-0961-2 |
K-3397 | ETERNITY WITHOUT HIM (Dolores Rader-Ulysses Turner-Alton Delmore) | Ki-1086 A | Ki-LP-822, Ki-LP-943, PMR-220, PMR-222, PMR-299, SD-3017, CD SD-3017-2, CD KCD-822, 2 CD KH-3506-2-2, CD KG-0551-2, CD GT7-0961-2 |
K-3398 | CAN’T YOU HEAR HIM CALLING (Ulysses Turner-Alton Delmore) | Ki-1114 B | Ki-LP-822, Ki-LP-920, Ki-LP-943, PMR-220, PMR-222, SD-3017, CD KCD-822, 2 CD KH-3506-2-2, CD KG-0551-2, CD GT7-0961-2 |
1. Issued as Delmore Brothers. 2. Mrs C. E. Delmore is Alton and Rabon’s mother. Copyrighted in 1926.
Sunday, August 17; King Studio, 1540 Brewster Avenue, Cincinnati, Ohio
CLYDE MOODY AND BROWN’S FERRY FOUR “Sacred Singing”
Clyde MOODY (baritone lead vocal, probably guitar), William Alton DELMORE (baritone vocal, possibly guitar), Archie Rabon DELMORE (tenor vocal, tenor guitar g), Ulysses “Red” TURNER (bass vocal, mandolin m)
K-3453 | I FEEL LIKE TRAVELING ON g (William Hunter-James D. Vaughan) | Ki-1177 A | Gl-S-1002, AL-1518, NA-101, 2 CD KH-3506-2-2 |
K-3454 | I NEED THE PRAYERS (2) 1 (James D. Vaughan) | Ki-1133 A | AL-1504, NA-103, 2 CD KH-3506-2-2 |
K-3455 | THE UNCLOUDED DAY m (Reverend J. K. Alwood) | Ki-1177 B | 2 CD KH-3506-2-2 |
K-3456 2 | THROUGH THE PEARLY GATE g (Clyde Moody) | Ki-1133 B | AL-1523, NA-102, Ki-LP-943, PMR-220, PMR-299, 2 CD KH-3506-2-2, CD GT7-0961-2 |
1. Recorded by the Delmores on August 3, 1937, as “I Need the Prayers of Those I Love”. 2. Masters K-3457 to K-3460 by Clyde Moody without the Delmore Brothers.
Thursday, August 28; King Studio, 1540 Brewster Avenue, Cincinnati, Ohio
BROWN’S FERRY FOUR “Sacred singing”
William Alton DELMORE (baritone lead vocal on verses A, or baritone vocal; probably guitar), Archie Rabon DELMORE (tenor lead vocal on verses R, or tenor vocal), unidentified (baritone vocal, possibly guitar), Ulysses “Red” TURNER (bass vocal, mandolin m)
K-3461 | WHEN THE REDEEMED ARE GATHERING IN m (Johnson Oatman Jr-W. H. Dutton) | Ki-1209 A | SD-3017, CD SD-3017-2, 2 CD KH-3506-2-2, CD JSP-7784-C |
K-3462 | PRAISE GOD! HE LOVES EVERYBODY A m (Alton Delmore) | Ki-1153 B | Ki-LP-822, Ki-LP-943, PMR-220, PMR-222, SD-3017, CD SD-3017-2, CD KCD-822, 2 CD KH-3506-2-2, CD KG-0551-2, CD GT7-0961-2 |
K-3463 | YOU MUST BE BORN AGAIN R (Ulysses Turner) | Ki-1153 A | Ki-LP-822, Ki-LP-943, PMR-220, PMR-222, SD-3017, CD SD-3017-2, CD KCD-822, 2 CD KH-3506-2-2, CD KG-0551-2, CD GT7-0961-2 |
K-3464 | WHAT SHALL I DO WITH JESUS m (Alton Delmore-Merrill R. Vaughn) | Ki-1209 B | Ki-LP-822, Ki-LP-943, PMR-220, PMR-222, PMR-299, SD-3017, CD SD-3017-2, CD KCD-822, 2 CD KH-3506-2-2, CD KG-0551-2, CD GT7-0961-2 |
Friday, August 29; King Studio, 1540 Brewster Avenue, Cincinnati, Ohio
DELMORE BROTHERS “Vocal with String Band”
William Alton DELMORE (lead vocal, guitar), Archie Rabon DELMORE (vocal harmony, tenor guitar), Ulysses “Red” TURNER (possibly response C, possibly string bass), Wayne RANEY (harmonica h), unidentified (electric guitar, possibly response C)
K-3465 | THAT OLD TRAIN h (Alton Delmore-Rabon Delmore) | Ki-1141 A | CD BACM-044 |
K-3466 | THE TRAIL OF TIME (Alton Delmore) | Ki-1158 A | Ki-LP-785, Ki-LP-920, Ki-LP-983, CD JSP-7765-D |
K-3467 | I NEEDED YOU (Rabon Delmore) | Ki-1141 B | CD BACM-044 |
K-3468 | WHATCHA GONNA GIMME C h (Alton Delmore-Rabon Delmore) | Ki-1158 B |
Probably at the end of the year; possibly Bristol, Tennessee
ALTON DELMORE AND THE BROWN'S FERRY FOUR “Quartet with Guitars”
William Alton DELMORE (baritone vocal, guitar), probably Clyde MOODY (baritone vocal), unidentified (tenor vocal), unidentified (bass vocal)
Unidentified | THE DEVIL IS MOUNTED 1 (Delmoer) sic | Acme-1110 A | PMR-125, CD OH-4160 |
Unidentified | GONNA ROWE MY BOAT (sic) 1 (Delmoer) sic | Acme-1110 B | PMR-125, PMR-299, CD OH-4160 |
Unidentified | PEACEFUL HOME (A. L. Phipps) 2 | PMR-125 | PMR-299, CD OH-4160 |
Unidentified | GONNA FLY AWAY WITH CHRIST (A. L. Phipps) 2 | PMR-125 | PMR-299, CD OH-4160 |
1. Composer credit is A. L. Phipps on PMR LP’s but is Delmoer (very probably Alton Delmore) on the original 78 rpm. 2. Composer credit is A. L. Phipps on PMR LP’s but it is probably Alton Delmore.
1959
Probably August; Fayetteville, Tennessee
ALTON DELMORE
William Alton DELMORE (vocal, guitar), unidentified (guitar), unidentified (drum d), unidentified (piano p)
K80W-8727 | THUNDER ACROSS THE BORDER d (Alton Delmore) | Linco-1315 1 |
K80W-8728 | GOOD TIMES IN MEMPHIS p (Alton Delmore) | Linco-1315 1 |
1. No “A” or “B” side on this single
Any addition or correction welcome. Your name quoted.